Koushiki Patra

Art Researcher
About the Researcher
No bio available.
Share this Portfolio
Maricha

Maricha

Sarada Ukil’s painting 'Rama Hunting the Golden Deer' shows a dreamlike scene from the Ramayana. Rama sits on a rise bow in hand watching the golden deer below. Ukil chooses stillness, thought and waiting of loud action hinting at the quiet before Sita’s abduction. The…
Share
Farewell at night

Farewell at night

Farewell at Night a painting from the Rasamanjari series shows the tension of separation between two lovers. Farewell at Night shows a princely man standing at the entrance of a pavilion his folded hands hinting that he is preparing to leave. Farewell at Night also…
Share
Salim Telling Majnun of His Mother’s Death

Salim Telling Majnun of His Mother’s Death

This Mughal miniature from Nizami’s Khamsa shows Majnun as a man who has stepped away completely from life and now lives as one with nature. He sits weak and nearly bare under a tree in bloom looking fragile and distant. Around him peaceful animals gather…
Share
One-petal Kannon (The Bodhisattva Kannon Crossing the Sea on a Lotus Petal)

One-petal Kannon (The Bodhisattva Kannon Crossing the Sea on a Lotus Petal)

Sesson Shukei’s One-petal Kannon shows Kannon as an peaceful presence drifting across a wide churning sea. The painting is made entirely in ink. It uses changes in how thick or thin the brush strokes are to separate the figure, the waves, the moon and the…
Share
Farewell of Hector and Andromache

Farewell of Hector and Andromache

Anton Losenko’s Farewell of Hector and Andromache shows the meeting of Trojan hero Hector and his family before Hector heads to battle. The painting turns a scene from Homer’s Iliad into a deep meditation on love, duty, sacrifice and the human cost of war. Hector…
Share
Kamanganpura

Kamanganpura

Guptas Kamanganpura is seen as a visual study of the urban architecture of northern India under British rule. Gupta does not focus on religious themes. Instead Gupta turns to a street showing Guptas interest in everyday life and changing social spaces. The narrow winding passage…
Share
Saaqi

Saaqi

Hemen Mazumdar’s Saaqi shows the wine-bearer not as an overly sensual figure but as a calm thoughtful presence. The woman keeps her head bowed, her eyes downcast and her focus deeply on the act of pouring. This draws the viewer’s attention away from her form…
Share
Portrait study of Mrs. Gaganendranath Tagore

Portrait study of Mrs. Gaganendranath Tagore

Gaganendranath Tagore’s Portrait Study of Mrs. Gaganendranath Tagore shows an thoughtful picture of Mrs. Gaganendranath Tagore. Of a formal portrait the picture seems to capture a private moment of observation. Mrs. Gaganendranath Tagore’s profile, framed by flowing hair appears through simple brushstrokes and fine pencil…
Share
Village Music

Village Music

Abanindranath Tagore’s Village Music shows Bengal as a place of calm, harmony and gentle motion; the long slender boat that moves across the wide river becomes the heart of the picture linking human life with the rhythm of nature. Three small figures stand on the…
Share
A lion hunt

A lion hunt

This painting shows the hunt as more than a simple outdoor activity. The royal hunt becomes an expression of Mughal power, courage and imperial control over nature. The rocky landscape creates a setting for the royal hunt party while the movement of horses, attendants and…
Share
Snow-Covered Scene and Cold Forest

Snow-Covered Scene and Cold Forest

Snow-Covered Scene and Cold Forest shows the power and deep quiet of the northern Chinese wilderness. A huge mountain stands in the center taking up most of the space. Behind it layers of peaks, forests, valleys and streams stretch out giving a strong feeling of…
Share
Prince Visiting the Women’s Quarters (Zenana)

Prince Visiting the Women’s Quarters (Zenana)

This miniature painting from the Razmnama Akbar’s translation of the Mahabharata shows a quiet moment inside a palace instead of a grand battle. The scene is about a prince visiting the zenana. It feels calm, refined and full of leisure. Women, attendants, musicians and servants…
Share
An Aya (Nurse)

An Aya (Nurse)

The painting Aya (Nurse) is more than a portrait of a domestic worker. It shows the presence of Indian women in colonial homes often overlooked but deeply important. The woman in the painting stands with confidence and clarity not as a figure in the background…
Share
Akbar Assists in Capturing a Cheetah

Akbar Assists in Capturing a Cheetah

This Mughal miniature painting from the Akbarnama shows Akbar watching the capture of cheetahs a part of royal hunting traditions. The picture is full of movement and people showing hunters, helpers, soldiers and animals all working together. In the middle a cheetah that has been…
Share
Maiden in Love

Maiden in Love

The painting is a lyrical expression of inward emotion, romance, and solitude. The solitary female figure, absorbed in playing her stringed instrument, appears to transform music into a silent language of love. Her bowed posture, flowing hair, and delicate contours suggest tenderness, longing, and private…
Share
The Fortress of Königstein from the North

The Fortress of Königstein from the North

The painting shows not a close view of a military fortress but it also becomes a strong symbol of Saxon authority and stability. The fortress dominates the landscape looking huge and almost part of the natural terrain. The fortress sits high. Its massive walls emphasize…
Share
Seven Figures

Seven Figures

The painting can be interpreted as an evocation of movement, gesture, and theatrical memory rather than a literal depiction of seven individuals. The clustered bodies emerge from a dark, compressed space, creating an atmosphere of mystery and emotional intensity. Their distorted proportions and simplified forms…
Share
Portrait of an Indian prince with a falcon

Portrait of an Indian prince with a falcon

The painting shows a Mughal falconer standing in a calm, controlled manner with a falcon on his arm. The art artwork embodies the refinement, intricate detail work, and naturalism associated with the Mughal miniature paintings. Khem Karan’s richly decorated clothing, pearl necklace, dagger, embroidered girdle,…
Share
Landscapes and Trees

Landscapes and Trees

The paintings conveys a sense of simplicity, restraint and strong atmosphere. Here is no grand scenery or dramatic event—just a small hut, a few thin trees, and soft hills in the background. Yet somehow, this simplicity makes the painting feel quite emotional. To me, the…
Share
Buddha as Mendicant

Buddha as Mendicant

Abanindranath Tagore’s 'Buddha as Mendicant' presents the Buddha not as a powerful or richly decorated divine figure, but as a humble wandering ascetic who has renounced worldly life. The loose saffron robe and simple alms bowl symbolize detachment from material possessions and ordinary desires. His…
Share
The Sage-Physician Dhanvantari

The Sage-Physician Dhanvantari

The painting presents an unique blend of divine spirituality along with dignity and Mughal-influenced elegance. Manaku portrays the divine physician as an aged, serene sage, emphasizing his sacred status through his white beard, Vaishnava tilak, and composed posture. His white jama and richly patterned patka…
Share
Portrait of a Woman inspired by Lucretia

Portrait of a Woman inspired by Lucretia

Lorenzo Lotto’s Portrait of a Woman Inspired by Lucretia represents the Renaissance ideals of female virtue, chastity, honour, and moral strength. The woman holds a drawing of Lucretia, the legendary Roman heroine who chose death after being dishonoured, making Lucretia a symbol of purity and…
Share
Landscape

Landscape

This painting exemplifies the reflective and individualistic character of early Qing landscape painting. Rather than presenting a realistic scene, Gong creates an atmospheric world through thick, layered applications of ink. Mountains, rocks, and trees emerge from mist and darkness, creating depth while suggesting mystery and…
Share
Sufis In Ecstasy

Sufis In Ecstasy

‘Sufis in Ecstasy’ is a mughal miniature painting that shows the beauty of the imperial court. This painting has architecture and a vivid color palette that make the scene feel rich and grand. It invites the viewer into a world of wealth and aristocracy. In…
Share
The Laughing Youth

The Laughing Youth

The Laughing Youth, also known as Head of a Laughing Youth, was painted around 1583–85 and is now in the Galleria Borghese, Rome. It is an oil painting on paper applied to canvas. The work belongs to Carracci's group of small portrait studies, or ritrattini.…
Share
Saint Benedict destroying Idols

Saint Benedict destroying Idols

The painting celebrates the truimph of Christian faith over paganism. The Saint Benecdict is a symbol of true faith and devotion to Christianity. He destroys the idols and altars of pagan Gods which is symbolic of rejecting falsehood of the so called pretentious pagan gods.…
Share
Refresh
My Conversations
×

Login required to view or send messages

If you'd like to contact the admin, you can call +91 88998 41647 or email admin@oaklores.com.
Alternatively, log in to start a chat with the admin instantly

Login to Proceed

Bring Your Collection to Life

You can now order beautiful printed copies of your artworks and keep your collection beyond the screen.

Visit Oak Lores Shop