The "Warrior Tackling an Enraged Elephant" is an artwork from the Mysore School of painting created around 1800 AD using mineral pigments on paper and currently held in trust for preservation at the Salar Jung Museum, Hyderabad B. It depicts a warrior pulling back the string on his bow with an elephant rearing up on a rocky landscape behind him; both of these figures sit on either side of flowering plants. Architectural columns flank both of these figures, and the overall effect is reminiscent of Vijayanagara mural traditions (particularly Lepakshi and Hampi). The Mysore School emerged directly from this tradition after the destruction of the Vijayanagara Empire at the Battle of Talikota. Many of the artist families known as chitrakaras (which translates to those who make pictures) chose to move to Mysore, Tanjore and Surpur for economic reasons to continue practising their profession. Raja Wadiyar I (r. 1578–1617) resettled these artists as refugees from Vijayanagara at Srirangapatna, thus establishing foundations for the Mysore School. According to the classical Shadanga principles of Indian aesthetics, particularly Sadrsya (likeness) and Lavanya (grace), the figures in this painting are rendered in profile and use mineral pigments in detail. Many architectural elements and motifs shown in the painting reflect the decorative style of South Indian temple architecture. The warrior-elephant struggle also conveys multiple meanings, such as showing royal power to demonstrate valor through the courage of the king and how skill prevails over brute force; qualities that demonstrate the values and themes of the royal courts that commissioned these types of works. Lastly, we're able to see how the warrior-elephant scene represents a transition period before moving from large monumental mural paintings in temples to intimate paintings in individual homes.

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