After Dinner in Ornans
| Support Type: | Canvas |
| Paint Type: | Oil Paint |
| Current Location: | Palais des Beaux-Arts Lille, France |
Realist artists rejected heroic history painting, mythology, and idealisation and instead focused on the mundane and prosaic. Gustave Courbet (1819-1877) belonged to this school of thought and painted this ordinary scene after the Revolutions of 1848 in France, a time where the country was roused in social upheaval and provoked growing democratic ideas. Here he has painted his father and friends from his hometown Ornans in a scale which has historically reserved for kings, religion, or scenes of epic history - of which this painting belongs to none. Courbet has chosen a canvas measuring 2.5m wide to apply the same importance to everyday provincial people. On the surface, the painting seemingly depicts a scene where nothing dramatic happens: men sit together around a table after dinner, one plays a violin, another a flute, and the others smoke, drink, or appear lost in thought. Courbet portrays mundane everyday experience as worthy of serious art. He depicts a moment of shared humanity and quiet introspection which has depth and dignity. The painting is full of subtle symbolism. The violin and flute embody a shared culture and an emotional connection through music. The dog sleeping under the chair depicts domestic calm, loyalty, and naturalism. The leftovers on the dining table captures a moment in time, expresses life as it is. The men are smoking and drinking characterises traditional male social rituals after dinner. Courbet’s scene hosts no moral lesson nor heroic narrative - illustrating a radical change in art. Courbet’s colour palette is dominated by muted earthy tones with browns and black creating shadowed depth and occasional highlights illuminated the faces with soft light. He has reflected modest life with a sombre atmosphere, letting the figures emerge from the shadow. Moreover, the horizontal composition using Chiaroscuro, directing the viewers focus to the key figures, creates a real and awkward spatial arrangement, reinforcing realism. Courbet has treated these ordinary people as historically important; by rejecting beauty and idealisation he has created an informal, intimate, anti-classical scene which reflects a new focus on real individuals and contemporary life.
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