This, at first glance, looks unreal for a viewer as it does not follow the notion perspective, which is rendered on a wood panel with egg tempera. Further, this painting is a classic example of a historical cusp where we see the rendition of both Gothic and Renaissance touches in it, despite not belonging to these periods, which makes it a special work by Pisanello. Also, this painting reflects the essence of heraldry rather than being a narrative-based rendition. Here, as the main figure, the legend of Saint Eustace, has been shown who was a general, belongs to Roman Christianity. In this painting, the use of gold could be seen as a sparkling element for the reversed crucifixion, which gives the feel of spirituality in the painting. Further, animals such as bears, lynxes, and various types of birds could also be seen in an unusual perspective. The rendition of the animals reflects the deep study and drawing practice of the artist, which is also highly researched as part of Pisanello’s collection. Beyond all this, the major element of the painting is the horse on which Eustace has been shown, which resonates with the power, along with the reflection of aristocratic life. Therefore, through the overall rendition of the painting, one can conclude the painting as a visual language of a theology that further acts as a sacred, embedded natural world by the artist.

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