Krishna and the Jester Tricking Radha

This exquisite 17 th Century Basohli miniatures encapsulates the central tenets of the Bhakti movement, portraying divine experiences through deeply personal human emotion. As part of the famed Early Rasamanjari Series and based on a 15 th Century Sanskrit text of love written by Bhanudatta, the painting is situated within the aesthetic of Sringara Rasa (Romantic Love). It delves into the intricate categorisation of heroines (Nayikas) outlined in the text. This piece specifically explores the intense emotions of Vipralambha Sringara (Love in Separation) and Maan (Radha’s loving pride/anger). Radha and Krishna are revered as having Lila (divine playfulness) together. The figure of the messenger or confidant (Duti) is a traditional feature commonly found in literature. Here Krishna’s playful trickery (Kapata) is not mean spirited, but is an embodiment of his nature as the ultimate Chitta Chora (heart thief). He uses his playful wit to dispel Radha’s anger. Radha symbolises the individual human soul (Jivatma), whilst Krishna embodies the Supreme Divine (Paramatma). Radha being ‘tricked’ is a deeply symbolic metaphor for how we as individuals are often lovingly tricked by our soul into returning to the divine through great grace. In terms of style this piece is a prime example of the intense Basohli style which thrived during the reign of Raja Kirpal Pal. The painting contains flat monochrome horizon lines which are typically brightly coloured either in mustard yellow or deep cinnabar red. This creates a striking depth of field, bringing the characters to the forefront. All characters have distinctive intense physiognomies with receded foreheads and large almond or fish shaped eyes. The whole painting has a distinctive glossy sheen created through the use of natural minerals. White paint has been puffed up to create a pearl effect. Actual iridescent particles have been added to create the effect of emerald jewellery using green beetle wings.