Akbar assists in capturing a Cheetah (circa. 1590-1595)
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | Victoria and Albert Museum (V&A) in London |
| Location History: | 16th Century (Mughal Royal Library): The Akbarnama manuscript was originally kept in the imperial studio for Emperor Akbar himself. It was later inherited and kept in the libraries of his successors, Emperor Jahangir and Shah Jahan.19th Century (India): The manuscript was later acquired by Major General John Clarke (who served as the Commissioner in Oudh province between 1858 and 1862) while he was in India.1896 to Present (London): Following General Clarke\'s passing, his widow, Mrs. Frances Clarke, sold the manuscript to the Victoria and Albert Museum in 1896, where it has remained ever since |
This 16th-century Mughal miniature from the Akbarnama captures a high-stakes imperial hunt. The scene depicts Emperor Akbar and his attendants successfully trapping a wild cheetah in a pit, a feat requiring immense coordination and bravery.While the master artist Tulsi designed the initial composition and layout, Narayan was responsible for the painting (amal) stage. Narayan’s contribution is vital to the artwork's intense energy and depth. He meticulously layered opaque watercolors and gold leaf to bring the dramatic landscape to life. Narayan’s mastery shines in the distinct textures—from the rocky, jagged terrain and varied foliage to the realistic spots on the trapped cheetah.Crucially, Narayan gave the figures individual personality. Through precise brushwork, he captured the strained physical exertion of the attendants pulling the ropes and the focused, calm authority of Emperor Akbar directing the operation. His deliberate use of vibrant pigments draws the viewer's eye directly to the chaotic pit, balancing chaotic movement with imperial order. Narayan’s exceptional coloring elevated Tulsi's outline into a legendary masterpiece of Mughal historical documentation.
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