Taarina Therese Chandiramani
Art Researcher
About the Researcher
No bio available.
20th Century • India
Nandini and Periya Pazhuvettaraiyar (Illustration for Kalki Krishnamurthy\'s Ponniyin Selvan)
Research based on 6 sources
20th Century • India
Ancient Storyteller
Research based on 4 sources
20th Century • India
Santhal Couple
Research based on 4 sources
20th Century • India
Hill Women
Research based on 3 sources
20th Century • India
Toilet
Research based on 3 sources
20th Century • India
Sita in the forest
Research based on 1 sources
19th Century • India
A groom with a horse and carriage
Research based on 2 sources
18th Century • Early Modern • India
Darbar of Alivardi Khan at Murshidabad\'s Court
Research based on 1 sources
18th Century • India
A Lady in Profile
Research based on 3 sources
18th Century • India
A Princess Rewards Musical Performers
Research based on 1 sources
17th Century • Early Modern • India
Vasanta Ragini
Research based on 6 sources
17th Century • India
Prince Murad and Khusrau Sultan
Research based on 4 sources
17th Century • India
Jahangir Watching an Elephant Fight
Research based on 2 sources
16th Century • India
Leaf from the Muraqqa Gulshan
Research based on 4 sources
16th Century • India
A European Lady Worshipping the Sun
Research based on 3 sources
16th Century • India
The Battle Preceding the Capture of Bundi Fort
Research based on 2 sources
16th Century • India
Ibrahim Adil Shah II Hawking
Research based on 4 sources
16th Century • India
Nighttime in a City
Research based on 5 sources
A Portrait of Naser Al Din Shah- By Abu'l Hasan Ghaffari 'Sani ol Molk'
Abu'l Hasan Ghaffari's A Portrait of Naser al-Din Shah presents the Qajar ruler as a symbol of royal authority, refinement, and divine legitimacy. Seated confidently on an elegant chair resting upon clouds, the Shah appears elevated above the ordinary world, suggesting heavenly sanction and absolute…
Krishna declaring the end of the Mahabharata war
This painting captures the solemn aftermath of the Mahabharata, with Krishna standing calmly amid the fallen warriors, symbolizing the end of the great war and the restoration of dharma (righteousness). His composed posture contrasts with the lifeless bodies scattered across the battlefield, emphasizing his role…
Lux in Tenebris
Lux in Tenebris (“Light in Darkness”) presents light as a force of hope and resilience amid uncertainty. The radiant female figure, clothed in flowing white robes and encircled by a glowing halo, symbolizes purity, wisdom, and spiritual illumination. Holding an olive branch, she evokes peace…
Halt of the Hunt
Halt of the Hunt captures a moment where the thrill of hunting gives way to rest and togetherness. Instead of focusing on the hunt itself, the painting highlights the elegance and comfort enjoyed by the aristocracy. Men and women gather to eat, talk, and relax…
Diwan-i-Khas
This artwork depicts a Mughal architectural complex with a strong emphasis on symmetry, proportion, and ornamental detail. The central pavilion, featuring cusped arches, domed chhatris, and intricate marble-like decoration, reflects the elegance of Mughal design. The balanced composition and frontal perspective draw attention to the…
La Paresse
La Paresse portrays a nude woman reclining comfortably on a bed, embodying rest, leisure, and quiet introspection. Her relaxed pose and closed-off gaze suggest a moment of complete surrender to idleness rather than sleep. The soft pastel palette, delicate floral fabrics, and diffused natural light…
Portrait of a Young Man
This portrait presents a young man with confidence and introspective calm. His relaxed posture, steady gaze, and neutral expression suggest intelligence and self-restraint rather than overt authority. The dark background removes distractions, directing attention to his face and the intricately painted white lace collar, a…
Self-portrait of Armando Spadini
Authoritratto (Self-Portrait) presents the artist with a direct, thoughtful gaze that immediately draws the viewer's attention. Rather than idealising himself, the artist captures a sense of honesty and introspection through subtle facial expressions and naturalistic details. The loose yet confident brushstrokes, soft lighting, and muted…
The Narrow Road to Shu
The Narrow Road to Shu portrays nature as vast, powerful, and almost overwhelming, reducing human presence to a small part of the landscape. Towering mountains dominate the composition, while winding streams and waterfalls create movement through the otherwise still environment. Tiny houses and distant figures…
Tobias and the Angel
Tobias and the Angel by Sandro Botticelli illustrates a scene from the biblical Book of Tobit, where the Archangel Raphael guides the young Tobias on a journey. The painting symbolizes divine guidance, protection, and faith. Raphael gently leading Tobias by the hand represents God's constant…
Two fighting Camels
The miniature Two Fighting Camels captures a dramatic moment of conflict while showcasing the Mughal fascination with movement, observation, and naturalism. The camels, richly adorned with ornamental saddles, lock together in a powerful struggle, emphasizing their strength and aggression. Two handlers attempt to control the…
Portrait of Charles VII, King of France
This portrait presents Charles VII not as a triumphant warrior, but as a measured and contemplative ruler whose authority stems from restraint rather than spectacle. Seated before parted white curtains, the king occupies a carefully framed space that resembles both a stage and a throne…
Palli Pran
Palli Pran celebrates the quiet grace and resilience of rural Indian life through the figure of a woman draped in a translucent white sari with a red border. Her turned posture and lowered gaze create an atmosphere of introspection, inviting viewers to reflect on themes…
Mahatma Gandhi
This portrait of Mahatma Gandhi can be interpreted as more than a realistic likeness; it is a tribute to the ideals of humility, resilience, and compassion that Gandhi embodied. Mangala Bayi Thampuratti presents him with quiet dignity, emphasizing his humanity rather than political power. Painted…
The Prisoner
The Prisoner suggests that confinement is not always created by walls alone. Although the woman is positioned beside a barred window, her expression is calm and contemplative rather than desperate, hinting that her greatest struggle may be emotional rather than physical. Her clasped hands, upward…
Krishna Holding Mount Govardhan
Krishna Holding Mount Govardhan symbolizes the idea that true leadership is rooted in protection rather than power. By lifting the mountain to shelter the people and animals of Vrindavan from Indra's storm, Krishna becomes a guardian who places the well-being of others above displays of…
The Martyrdom of St. Sebastian
he Martyrdom of St. Sebastian is less about death than about the extraordinary resilience of the human spirit. Even as his body is pierced by arrows, Sebastian refuses to become a symbol of defeat. His upward gaze and composed expression create a striking contrast with…
The entrance to the main burial chamber at Akbar's tomb
The Entrance to the Main Burial Chamber at Akbar's Tomb represents the transition from the grandeur of the earthly world to a space of spiritual reflection and eternal rest. The richly decorated calligraphic band above the doorway, featuring Quranic inscriptions, contrasts with the dimly lit…
The White Horse Got Stuck to a Rock in Mount Vindhyachal
The White Horse Got Stuck to a Rock in Mount Vindhyachal illustrates a significant episode from the Razmnama, where the sacred horse of the Ashvamedha sacrifice is mysteriously trapped in the Vindhya mountains during its journey. The painting symbolizes that even the strongest heroes must…
Self-Portrait Painting the Madonna (1556) by Sofonisba Anguissola
Self-Portrait Painting the Madonna (1556) represents Sofonisba Anguissola's identity as both a skilled artist and a virtuous Renaissance woman. By depicting herself painting the Madonna and Child, she emphasizes her artistic talent while aligning herself with the values of piety, humility, and moral integrity associated…
Asaf Khan presenting spoils to Akbar at Jaunpur
Asaf Khan Presenting Spoils to Akbar at Jaunpur in 1565 celebrates Emperor Akbar's authority and the loyalty of his military commanders. The act of presenting the spoils of victory symbolizes respect for the emperor and reinforces the centralized power of the Mughal Empire. Akbar's elevated…
Portrait of Louise Vernet
Portrait of Louise Vernet represents the beauty of youth, familial affection, and artistic refinement. Rather than just depicting his daughter, Horace Vernet captures her grace, innocence, and individuality through her calm expression, elegant attire, and the peaceful setting of the Villa Medici. The painting reflects…
Shah Jahan Receives His Three Eldest Sons and Asaf Khan During His Accession Ceremonies
hah Jahan Receives His Three Eldest Sons and Asaf Khan During His Accession Ceremonies is a carefully constructed visual statement about power, legitimacy, and the ideals of Mughal kingship. The painting presents Shah Jahan as both a political ruler and a divinely sanctioned sovereign. His…
The Moonlit Night on the Dnieper
The Moonlit Night on the Dnieper represents reflection and the overwhelming beauty of nature. The bright moonlight cutting through the darkness creates a feeling of calm while also suggesting that moments of clarity and hope can emerge even in silence or uncertainty. The simple composition…
Japanese Ladies Admiring a Screen
Instead of showing action, the painting captures a moment of people just looking at art. The women seem completely absorbed in what they are viewing, which makes us think about how we experience beauty and meaning ourselves. Because we are watching people who are also…
Tatsumaki (Tornado)
Kawabata Ryushi’s Tatsumaki (1933) feels less like a realistic painting of a storm and more like an attempt to capture the emotional force of nature. The tornado rising from the sea becomes the centre of attention, but instead of appearing purely destructive, it seems almost…
Battle Between Bhima and Duryodhana
Battle Between Bhima and Duryodhana becomes a visual expression of justice, fate, revenge, and the emotional climax of the Mahabharata. Through this scene, the artist Fazl transforms a literary moment into an intense visual narrative that captures both movement and meaning. At the center of…
The Virgin and Child
What stood out to me most in this painting is how unexpectedly human it feels. Even though Mary and Jesus are religious figures, Basawan (one of the leading painters in Emperor Akbar’s Mughal court) paints them with a tenderness that makes the moment feel personal…
Ikada Nagashi (Rafting)
This artwork represents the relationship between human effort and forces larger than ourselves. The most striking element is the river. It appears fast and difficult to control, almost swallowing the wooden rafts carrying the workers. The people are painted relatively small, which makes nature feel…
Nativity of the night
This artwork is the definition of intimate moment. The way the baby Christ becomes the source of light in an otherwise dark space would make one think about hope and comfort appearing in simple moments. The figures surrounding him seem calm and reflective, which gives…
