Water Lilies
| Support Type: | Canvas |
| Paint Type: | Oil Paint |
| Current Location: | Art Institute of Chicago |
| Location History: | The artist (d. 1926); sold to Durand-Ruel, Paris (3/4 interest), and Bernheim-Jeune, Paris (1/4 interest), June 3, 1909, for 14,000 francs [this and the following per Durand-Ruel, Paris, stock book for 1901–13 (no. 9082, as Les nymphéas, paysage d’eau, série de 1906), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 21, 2013, curatorial object file]; sold to Henri Bernstein, Paris, May 29, 1909, for 20,000 francs [see previous: the Durand-Ruel Archives notes that “the apparent chronological anomaly between the dates of the purchase and of the sale is not unusual”]; sold to Durand-Ruel, Paris, Aug. 9, 1909, for 20,000 francs [per Durand-Ruel, Paris, stock book for 1901–13 (no. 9134, as Les nymphéas, paysage d’eau, série de 1906), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 21, 2013, curatorial object file]; on deposit to Durand-Ruel, New York, Apr. 1911 [per Durand-Ruel, New York, deposit book for 1894–1925 (no. 7606, as Les nymphéas, paysage d’eau, série de 1906), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 21, 2013, curatorial object file]; sold to Durand-Ruel, New York, Feb. 10, 1914 [this and the following per Durand-Ruel, New York, stock book for 1904–24 (no. 3768, as Les nymphéas, paysage d’eau, série de 1906), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 21, 2013, curatorial object file]; sold to Martin A. Sold by Durand-Ruel, New York, to Martin A. Ryerson (d. 1932), Chicago, Feb. 10, 1914, for $5,000 [see previous; also a purchase receipt on Durand-Ruel letterhead, dated February 10, 1914, details that this painting (no. 3768, Monet, Les nymphéas, paysage d’eau, 1906) was acquired by M. A. Ryerson, in addition to two other paintings (no. 3668, Monet, La cabane de douaniers, 1897 (cat. 35); and no. 3646, Monet, Waterloo Bridge, London,1903) (cat. 39) for $20,000, photocopy in curatorial object file]; bequeathed to the Art Institute of Chicago, 1933. |
This painting is one of the most famous and influential of all time, symbolic of the Impressionist era and the definitive work of French art. When Monet bought and created his property in Giverny, France, in 1890, it was not his intention to make it his obsession for the next 25 years of his life. He painted several (and by several I mean about several 250 paintings) in the two decades. While many were long, stretching murals of water lilies and irises that are now at the Musée de l’Orangerie, made between 1914 and 1926, the painting here is one of the subjects from 1903 to 1908, which was the apex of his developing style and experimentation. In the bottom-left corner, we see his sign and the date: 1906. Monet doesn’t focus on conventional clouds and land but rather the water itself in its entirety. The lilies are yet to bloom and are together in the mossy patches. Faint reflections of the trees and clouds reflect on the water. The entire picture is obscure and dream-like, the true nature of an impressionist. Monet’s critics described one of his waterlily paintings as “in full flower, asserting themselves… against the cloudy water.” And I believe that there is no better way to describe it.
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