The Flight of Lakshman Sen
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | Collection of the Indian Society of Oriental Art (ISOA), Kolkata; reproduced in E. B. Havell’s Indian Sculpture and Painting (London: John Murray, 1908) and Chatterjee\'s Picture Albums. |
| Location History: | First exhibited in 1908 at the annual exhibition of the Indian Society of Oriental Art (ISOA) in Calcutta, where it was awarded a prize of ₹500. It was subsequently reproduced in E. B. Havell's Indian Sculpture and Painting (1908), The Modern Review (January 1909, Vol. V, No. 1, pp. 61–63), and Ramananda Chatterjee's Chatterjee's Picture Albums. |
Surendranath Ganguly’s The Flight of Lakshman Sen challenges conventional depictions of historical defeat. Rather than dramatising Bakhtiyar Khalji’s invasion, Ganguly centres the ageing king’s precarious descent towards escape. His hunched posture and backward glance suggest apprehension, though interpreting them solely as fear risks oversimplifying the scene. The absence of royal ornamentation shifts attention from sovereign grandeur to bodily vulnerability. Muted washes and indistinct surroundings create an atmosphere of uncertainty, reinforcing the painting’s emotional restraint. Yet its quietness is not necessarily evidence of resignation; it may equally suggest a calculated withdrawal. By withholding the spectacle of conquest, Ganguly complicates the relationship between political power, historical memory and defeat, presenting retreat as an ambiguous moment rather than a simple collapse of authority.
