Artwork study: Oval Portrait of Nasir al-Din Shah Qajar (1886)
| Support Type: | Paper |
| Paint Type: | Oil Paint |
| Current Location: | Unconfirmed |
| Location History: | 1886 – Creation in Persia The painting was produced in Persia and signed by Muhammad Husayn Shirazi. Its inscription records the date AH 1304, corresponding to 1886 AD. 30 April 2019 – Bonhams, London The artwork appeared as Lot 83R in Bonhams' auction catalogue, The Lion and the Sun: Art from Qajar Persia, held at New Bond Street, London. Its estimated auction value was £6,000–£8,000. Present location – Not publicly established The catalogue documents its appearance in the 2019 London auction but does not establish its subsequent ownership or current physical location. |
Oval Portrait of Nasir al-Din Shah Qajar, is a nineteenth-century Persian portrait created by Muhammad Husayn Shirazi in 1886. The painting depicts Nasir al-Din Shah, the fourth ruler of the Qajar dynasty, who governed Persia from 1848 to 1896. Executed in an oval format, the artwork reflects the importance of royal portraiture in communicating authority, prestige and dynastic identity during the Qajar period. The portrait is particularly significant because of its inscriptions. The artist has signed the painting in Persian Nasta'liq script, identifying himself as Muhammad Husayn Shirazi and recording the year of its creation. An additional inscription identifies the sitter as Nasir al-Din Shah Qajar. The inclusion of both inscriptions gives the artwork historical as well as artistic value, establishing the identities of the artist and the ruler. The use of oil paint on paper, subsequently mounted on card, demonstrates an interesting combination of painting technique and presentation. Its oval composition also reflects the formal portrait conventions associated with royal representation. Rather than functioning merely as a likeness of the monarch, the work can be understood as a visual record of the political and cultural identity of nineteenth-century Persia. Created during a period when the Qajar court increasingly embraced European artistic influences while retaining Persian visual traditions, the portrait represents an intersection of cultural styles. It offers insight into how art was employed to preserve royal memory, communicate sovereignty and document the personalities who shaped Persian history.
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