The Blind Musician

The artwork named “The Blind Musician” (1974) serves as a profoundly touching confirmation of Gopal Sanyal’s unceasing obsession with the underprivileged nomadic folk artists from rural and semi-urban Bengal. Heavily based on the philosophical and musical tradition of the Bauls wandering mystics who express their spiritual desire through music the artwork goes beyond being merely a portrait painting and tries to focus upon the deep psychological content of the disabled beggar-artist living on the fringes of the society. The painting is done in a brilliant manner using oil on canvas in a unique, warped kind of anatomy inspired by mid century cubists and expressionists. The major figure of the musician has arms that are long and thin as bone-like forms trying to adjust into the chest area while holding the instrument. His face is directed upwards showing a great effort of concentration; however, the position does not create a feeling of pity but rather denotes the inner vision the ability to listen to a divine music which is inaccessible to those who possess sight. The background against which Sanyal works is conceptually one of greatest contrast. The main character seems trapped in an intricate, dark and broken structure of textures and patterns that remind one of stained glass windows or social restrictions. This matrix is juxtaposed with bright flames of rich amber, light gold hues and a sharp crescent of red color that serves as an invisible halo above the figure. In this exceptional play of light and rich textures Sanyal eliminates any romantics from his work and chooses gritty modern realism creating the tragic dignity of the street artist. Gopal Sanyal was born in 1933 in Cuttack, Orissa. The artist moved to Calcutta in 1948 to study at the Government College of Art & Craft where he graduated with a Diploma in Fine Arts in 1957. Through participating in numerous exhibitions Sanyal became known as a member of Calcutta Painters as well as the creator of drawings and paintings depicting life of people of the working class. The character at the center stage is bare-bodied and impoverished with the feel of being untouched both by nature and other human beings. However poor and stripped of all necessities he appears to be he seems to be immersed in his music. He holds very tightly the Ekhtara, which is a traditional musical instrument used by people of Bengal. The peculiarity of the depiction is that the musician is seated upon a donkey; it expresses an idea of traveling and being out of the known world. It represents the lifestyle of a vagabond. As a part of the idea some birds are drawn that flew down from above and rested to listen to the music of the blind musician.