Reunion de Famille (1867) sits at a transitional moment between Realism and Impression during the 19th century where traditional portraiture was influenced by modern plein-air painting. Frédéric Bazille (1841-1870) has captured the Impressionism interest in modern life, retaining an almost academic composition in a natural light. The meaning behind this painting is far more complex than a simple family portrait: it symbolises the Bourgeois identity of the 19th century, reflecting social status and propriety in their pose and clothes. It highlights a friction between the natural and relaxed outdoors with the stiff figures posed like studio portraits. Bazille uses this tension to suggest the battle between new artistic freedom and convention at the time. Looking more closely at the composition, the viewer notices the lack of interaction and emotional distance between the figures, creating a sense of detachment or formality even with a family setting. Bazille has captured how a family presented their self in 19th century society in a frieze-like arrangement. The composition is full of contrasting symbolism. The family sits in shadow under a tree as the bright landscape stretches beyond them, further suggesting the divide between tradition and freedom. Moreover, the clothing choices depict a clear distinction between the men and women: the men, in their dark suits, symbolise their authority and rigidity, whereas, the women, dressed in lighter dresses reflect the softness and visual gentleness of their class. Bazille’s contrasting colour palette is crucial to his work where light transforms colour in a typical Impressionist fashion. Bazille’s work acted as a compromise between tradition and innovation, bringing together two school of thought, whilst exploring distance, observation, and social roles.
Reunion de Famille is an oil on canvas painting created by Frédéric Bazille, a French painter who lived during the nineteenth century. The painting lies on the transition from realism to impressionism. In the painting, Bazille depicts his relatives sitting outdoors, staring at the viewer, motionless with a sense of stiffness and rigidity.
