Red and White Plum Blossoms
| Support Type: | Paper |
| Paint Type: | Mineral Pigment |
| Current Location: | MOA Museum of Art |
| Location History: | The exact early provenance of Red and White Plum Blossoms is not fully documented. Art historians beleive the folding screens were created during the final years of Ogata\'s career around 1714- 1715. The work was reportedly held for many years by the Tsugaru family, a prominent daimyo clan in Japan. The screens were not widely known during the Edo period & were first discussed in a published article in 1907. The first major public display occurred during a commemorative exhibition of Korin\'s works in 1915. In 1954, the artwork was acquired by Mokichi Okada, founder of the collection that later became MOA Museum of Art. Today, the screens are preserved as a National Treasure of Japan and are housed at the MOA Museum of Art in Atami, Shizuoka Prefecture, Japan. |
Red and White Plum Blossoms is widely regarded as one of the finest masterpieces of Ogata Kōrin and an important example of the Rinpa School of Japanese Art. Created during the final years of the artist's life, the work consists of a pair of folding screens depicting two plum trees standing on either side of the flowering river. One tree bears white blossoms while the other is covered with red blossoms, creating a striking visual contrast. The trees are set against a luminous gold background, while the dark, swirling river cuts through the centre if the composition and guides the viewer's eyes across the screen. The artwork reflects the Rinpa school's emphasis on decorative beauty, bold design and the stylisation of Nature. Rather than aiming for realistic representation, korin simplifies natural forms into elegant shapes and patterns. The river is particularly distinct because of its abstract rhythmic appearance which creates movement and balance within the composition. The use of the gold leaf further enhances the sense of refinement and transforms the painting into something timeless. The painting is often interpreted as a celebration of nature's cycles. The red and white blossoms may represent different stages of life, changing seasons or the coexistence of opposites in nature. Despite the absence of human figures, the work feels virant and alive. Today, it is considered one of the most significant works of Japanese art and a defining achievement of the Rinpa tradition.
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