Image source: metmuseum.org
Kabuki Actor Ōtani Oniji III as Yakko Edobei
Artist:Toshusai Sharaku
| Support Type: | Wood Panel |
| Paint Type: | Ink |
| Current Location: | The Metropolitan Museum of Art |
| Location History: | The art was created in 1794 during the Edo period in Japan, The print originally circulated among audiences of Kabuki theatre as a commercially produced ukiyo-e woodblock print. Over time, surviving impressions became highly valued by collectors and museums due to Sharaku's short artistic career and the rarity of his works. The exact ownership history is not completely documented but it eventually entered the collection of The Metropolitan Museum of Art in New York through the Henry L/Philips Collection (1939). Today, the artwork remains in its permanent collection. |
The print vividly captures the essence of yakusha-e by focusing entirely on the psychological and physical climax of a Kabuki performance. Rather than presenting a idealized or static portrait, Sharaku immortalizes a high-tension, fleeting theatrical moment. It represents the raw, villainous nature of the servant character, Yakko Edobei, caught in a state of scheming hostility. The message derived from the piece centers on the duality of performance. It highlights how exaggeration and stylization can communicate a deeper, more profound emotional truth to an audience than standard realism ever could.
Information Compiled by
Divinia Juanita.D
