Royal Asiatic Society of Great Britain and Ireland
This is a page from the Razmnama (The Book of War), a manuscript created under Akbar’s rule in the late 16th century. The manuscript is a Persian version of the Sanskrit Mahabharata and was commissioned by Akbar during his reign because of his desire to unite the empire's many different cultures, religions, and literary traditions. Many skilled artists contributed to this manuscript, including Salih Kashmiri. The artists of this period combined traditional Persian methods of representing the subject matter with Indian narrative styles to produce highly detailed images full of emotions. The Razmnama manuscript represents an important piece of literature, as well as an example of Akbar’s vision for creating a community through reconciliation and communication. The painting shows a scene from a royal meeting based on the Mahabharata. The most visible figure, Duryodhana, is sitting on an elevated throne under a decorated canopy. In front of him stand Krishna and the Pandavas, whose postures and expressions suggest the seriousness of the meeting. All of the attendants surrounding them are dressed in bright colours like orange, blue, yellow, and red. The buildings in the background provide a sense of depth to the scene, with elements like arches, pillars, light walls, etc. The light colours and fine details of the brushwork create a calming visual balance. The artist’s ability to capture a variety of emotions and display courtly behaviours exemplifies his strength in creating a balance between narrative detail and beauty. Therefore, the artist's interpretation of the ancient Indian epic, Mahabharata, does not only serve as a representation of the events depicted in the epic, but it also serves to reflect Mughal artistic imagination and the exchange of cultures.
This piece titled ' Duryodhan Receives Pandavas and Krishna' is a moment of art history frozen in a single frame .Initiated by Emperor Akbar, Tasveer khana witnessed the growth and introduction of Hindu mythologies into the Mughal miniature school of painting, The book from which the above illustration has been taken is the Razmnama , or the Book of War. It can also be referred to as the equivalent of the Mahabharata in the context of the Mughal culture. The painting has its own distinct style, quite distinguishable from other illustrations from the same epic . The colour tone of the painting is generally light in hue.
