This painting is a collaborative effort by prominent artists of Akbar’s court, Mahesh and Basawan dated between 1586 and 1590 and made from opaque watercolour, ink and gold on paper. A part of the court chronicle Akbarnama, it depicts the capture of Kabul by founder of the Mughal empire Babur, while simultaneously emphasizing the order, authority, and legitimacy of Emperor Akbar.
Although the event belongs to Babur’s history, its inclusion in the Akbarnama connects Akbar’s reign to the heroic origins of the Mughal dynasty. The composition is organized into sections that depict the architecture, landscape, and warfare. Babur is shown seated within a palace structure, elevated above the surrounding figures, emphasizing his authority and legitimacy as ruler. Around him, courtiers, soldiers, attendants, and mounted warriors are depicted with tension and urgency. The crowded arrangement of soldiers and structured architectural walls place the focus of attention towards Babur as the focus of power and control.
Soldiers are depicted reacting emotionally through gestures and postures making the event appear rich and alive. There is also decorative detail, balanced composition, and rich coloration. The reds, blues, golds, and greens create visual harmony while also distinguishing rank and status among the figures. Persian miniature traditions are seen in the perspective, ornamental surfaces, and stylized rocky landscape, yet the work also reflects the emerging Mughal interest in naturalism and spatial depth, especially in the rendering of architecture and crowded human movement.
The lower portion of the image introduces scenes of struggle and disorder, including collapsing figures, agitated animals, and combat, emphasizing the violence inherent in conquest. These scenes contrast sharply with Babur’s calm and controlled presence above, reinforcing the idea that imperial authority brings order out of chaos.
This extraordinary imperial folio captures a foundational moment in Mughal history with the characteristic vitality of Akbar's royal atelier. The composition focuses on the structured, courtly aftermath of conquest, showcasing Babur enthroned under a canopy as he receives submission, tribute, and exotic gifts like hunting falcons. Commissioned by Babur’s grandson, Emperor Akbar, for the "Akbarnama", this painting is a calculated piece of political public relations. By documenting Babur’s early triumph in Kabul, Akbar was actively cementing his family's imperial lineage, military inevitability, and sovereign right to rule. Visually, the piece is a vital record of the emerging, mature Mughal style. It masterfully nests Persian stylistic devices such as stacked vertical registers, high horizons, and elegant text blocks, alongside indigenous Indian artistic traits, including deep psychological realism in the facial expressions, naturalistic animals, and a vibrant, warm colour palette.
