Asian Openbill Stork (Anastomus oscitans)
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | Yale Center for British Art, New Haven, Connecticut, USA (Prints and Drawings; accession no. B2016.26; credit line: Yale Center for British Art, Paul Mellon Fund). |
| Location History: | 1781: Painted in Calcutta, India, for Lady Mary Impey and Sir Elijah Impey. 21 May 1810: Sold at the Impeys' sale at Phillips, London. Later: Owned by the Earls of Derby (their collector's stamp is on the sheet). 19 May 1998: Sold at Christie's, London (lot 91). Before 2016: Passed through private owners, possibly including the writer V. S. Naipaul, and then a London dealer, Clayton-Payne. 2016 to now: Acquired by the Yale Center for British Art, New Haven, Connecticut, USA (accession no. B2016.26, Paul Mellon Fund). |
Sheikh Zainuddin (spelled Shaykh Zayn al-Din in the Yale record) painted the Asian Openbill Stork in 1781, using graphite and watercolor on cream laid paper. The Yale Center for British Art lists the sheet at about 54 × 74 cm, so the stork looks nearly as large as a real bird. The BSECS review explains that the artists in this series made their birds large to fill sheets of Whatman paper, which was sold in Calcutta along with art supplies sent from England. The BSECS review says Sheikh Zainuddin was trained in the Mughal tradition of miniature painting. He worked with two other painters from Patna, Bhawani Das and Ram Das, to paint birds, fish, flowers and animals from life for Lady Mary Impey. The reviewer says he took up the European way of painting nature, likely from engraved book illustrations that Lady Impey showed him. The reviewer adds that nature had never been the main subject of Mughal painting. So the picture joins two worlds. It has the careful eye of an Indian miniature painter and the clear, scientific look that British patrons wanted. The painting also tells us about the bird. Kahl (1971) studied openbill storks in Africa, India, Ceylon and Thailand. He found that shelled snails, mostly of the genus Pila, make up a large part of their food, and that the open bill is not a "nutcracker." Sawangproh (2021) later watched openbills in Thai rice fields and saw them puncture the shells of apple snails to pull out the soft body. Sheikh Zainuddin's careful painting is therefore both a beautiful picture and a close record of a real bird.
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