Akbar Hunting with Cheetahs
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | Victoria and Albert Museum |
| Location History: | The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy. Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. |
Akbar Hunting with Cheetahs is a dynamic painting that vividly captures the excitement and intensity of a royal hunting expedition. The energetic composition, vibrant colours and detailed figures create a strong sense of movement, making the scene feel lively and dramatic. The hills, trees and animals enhance the natural setting while reflecting the grandeur of the Mughal court. I understand this artwork as more than a hunting scene. It serves as a historical record of Emperor Akbar's royal activities and the artistic excellence of Mughal miniature painting. The balanced composition and careful attention to detail highlight the skill of Dharamdas and Basawan in combining storytelling with realism. Overall, the painting is visually engaging and culturally significant, offering valuable insight into Mughal life and imperial traditions.