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Baluchari Saree: A Journey Through Time and Craft

Picture of Himaghna Bandyopadhyay
Himaghna Bandyopadhyay
I am a student of masters of history at Presidency University, Kolkata, India. My area of interests includes early medieval, colonial and postcolonial history of India, particularly Bengal, as well as Socio-Religious interaction. I am currently involved in several societies and platforms both inside and outside Presidency University. My research interest includes looking at satire in nineteenth century Bengal.

The Baluchari saree is a traditional silk saree originating from the Murshidabad district of West Bengal, India. This saree, renowned for its intricate designs and elaborate craftsmanship, features detailed depictions of mythological scenes and themes onto its borders and pallu. Baluchari sarees are characterized by their vibrant colours, ornate patterns, and storytelling motifs, making them a symbol of cultural heritage and artistic excellence. Originally crafted in the village of Baluchar, the art has now spread to Bishnupur, where it continues to thrive.

HERITAGE IN FABRIC: TRACING THE ANCESTRY OF THE SAREE

The Baluchari saree traces its origins from the village of Baluchar in the Murshidabad district and hence, got the name. The term “Baluchari” is made up of two words: “Balu” (from the Bengali word Bali) meaning sand and “Char” meaning a shore or riverbank, reflecting the geography of its origin near the Bhagirathi River. The craft began around the 18th century, flourishing under the patronage of Nawab Murshid Quli Khan, who relocated his capital from Dhaka to Murshidabad. He invited skilled weavers, fostering a vibrant silk industry that culminated in the creation of the intricate Baluchari saree. With the advent of the British Rule and the submerging of Baluchar village in a flood in the Bhagirathi River, the craft was forced to relocate the muslin industry to Bishnupur in Bankura District.

The tradition of patronizing silk cultivation for various crafts was already there in Bishnupur. According to the Malla dynasty, the King Jagatmalla of Mallabhum patronised and encouraged the flourishing of the silk saree. The craft faced a significant decline during British rule due to economic policies favouring raw silk exports over finished textiles. However, the 20th-century revival, notably by Shubho Thakur and Akshay Kumar Das, restored the Baluchari’s legacy.

Post-Independence, the Baluchari saree craft in Bishnupur faced rapid decline with the absence of government attention to improving living standards or any specific plans regarding the craft. Cooperative societies, however, revived the heirloom by the late 20th century, with nearly 1,200 looms operating by the ‘90s. Yet this growth curve saw a steep decline in the early 2000s due to the high cost of production ranging from 5,000 to 50,000 rupees while the number of looms came down to only 400 by 2004-05. This forced the weavers to start looking for other means of livelihood. Pandemic was another threat for the craft production, but, virtual online shopping turned out to be a boon for the weavers.

Weaving Process

INTRICACIES OF ELEGANCE: DELVING INTO THE DETAILS OF THE BALUCHARI SAREE

These sarees are renowned for their elaborate designs, particularly on the pallu, featuring motifs depicting mythological themes from the Ramayana and Mahabharata, as well as scenes of social and courtly life. During the 19th century, European influences also appeared in some designs. This saree was traditionally a symbol of aristocracy and high status in earlier days. 

Weaving a Baluchari saree is an intricate, labour-intensive process that typically takes between 7 to 15 days, depending on the complexity of the design. More elaborate patterns may extend the production timeline to a month.

Motif of Mahabharata in Baluchari Saree

Key Steps in the Weaving Process:

  •       Silk Preparation: The process begins with mulberry silk cultivation. Raw silk threads are degummed, bleached and dyed to achieve the desired softness and colour.
  •       Design Creation: The designs, often depicting mythological scenes or social life, are first drawn on a graph paper. Then, they are drawn and punched into cards known as punch cards. Then the cards are sewn following the design and then fixed in the jacquard machine, before being punched into the saris.
  •       Warp and Weft Setup: Twisted silk yarns are used for the warp (providing strength), while untwisted silk (Khamru silk) forms the weft. The warp threads are stretched and arranged on the loom.
  •       Weaving: The saree is woven on a Naksha loom or Jacquard loom. The weaver uses punched cards to control the intricate motifs. The saree is woven face-down, with a mirror often used to check the design accuracy.
  •       Motif Detailing: The pallu and borders are meticulously detailed with traditional or mythological scenes. Baluchari sarees would feature pictorial depictions of Nawabi life — be it nawabs riding horse carriages or bibis smoking hookahs. Colourful, large mangos and paisley motifs surrounded with small box patterns were prevalent on these weaves. Gradually, stories of the Ramayana and the Mahabharata found their place in the designs of the Baluchari. Motifs like palkis, the exiled Pandavas and the santhal patterns were woven. Modern variations sometimes use zari threads, particularly in Swarnachari sarees. Baluchari sarees are renowned for their intricate motifs, reflecting cultural narratives and historical themes. These motifs are typically woven onto the pallu and border, often depicting scenes from Indian epics, royal courts, and daily life. They also illustrate key events or characters from Hindu epics. Common scenes include Lord Krishna explaining the Bhagavad Gita to Arjuna or episodes from the Ramayana such as Rama’s coronation. These depictions symbolize moral values and cultural heritage. They are detailed with intricate craftsmanship, showcasing multiple figures in action, framed within ornate borders. Paisley (Kalka) Motif: The Kalka, or paisley pattern, is a stylized floral design resembling a curved droplet. It represents fertility, growth, and eternity. In Baluchari sarees, the Kalka is often central on the pallu and woven in various sizes and orientations. This motif is sometimes connected to the notion of “Tree of Life”, blurring the borders of the natural and the spiritual space. The patterns often include additional details like flowers or birds within the paisley frame. Presently, reviving Baluchari sarees with Mughal motifs are facing a surge in demand.

Paisley Motif

Tools Involved:

Ø  Jacquard Loom: Central to creating the intricate brocade designs.

Ø  Punched Cards: Used to encode the complex patterns woven into the fabric.

Ø  Reeds and Shuttles: Essential tools for aligning and interlacing the threads.

Baluchari sarees, categorized by threads used, include resham and meenakari with resham threads in a single colour, meenakari with threads in multiple colours, and swarnachari, with gold or silver threads, enhancing the patterns. Swarnachari Baluchari saree made its debut in the last half of 20th century.

BALUCHARI SAREES PRESENCE IN POP CULTURE

Yes, Baluchari sarees have made notable appearances in contemporary pop culture, particularly in the fashion industry. Modern designers have been experimenting with this traditional weave, incorporating Baluchari motifs into various forms beyond sarees, such as dupattas, scarves, jackets and even handbags. This adaptation aims to preserve and popularize the craft among younger generations and global audiences. These efforts are part of a larger movement to revitalize traditional crafts by making them relevant to today’s fashion trends. Additionally, Baluchari motifs have been featured in high-end fashion shows, where the intricate designs narrate cultural stories, blending heritage with modern aesthetics.

CONCLUSION

The Baluchari saree maintains a prestigious position in the contemporary world, representing both heritage and evolving fashion sensibilities. It has undergone significant revitalization efforts, especially since receiving a Geographical Indication (GI) tag in 2012, which helped reinforce its identity as a symbol of Bengal’s rich textile tradition. Today, the saree is celebrated not only for its historical significance but also for its adaptability to modern tastes and markets.

Sources:

https://sabrangindia.in/rich-heritage-but-poor-plight-of-bishnupurs-baluchari-silk-artisans/

https://www.telegraphindia.com/my-kolkata/lifestyle/how-the-bishnupur-baluchari-sari-weaving-tradition-survived-bengals-tumultuous-history/cid/1855543

https://www.deccanherald.com//lifestyle/design/unfolding-bishnupurs-silk-saris-2766455

https://timesofindia.indiatimes.com/city/kolkata/baluchari-tangled-in-gi-tussle/articleshow/50952487.cms

https://www.deccanherald.com//features/picked-history-708324.html#google_vignette

https://socialwelfare.vikaspedia.in/viewcontent/social-welfare/entrepreneurship/indian-handloom/baluchari-silk-saree?lgn=en

https://youtu.be/U2BgJO0-Aew?si=3OvXd9z2fPns9xoo

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