Yi Ui-yang, also known as Yi Eui-yang or Yi Sin, was a respected and well known court painter during the late Joseon Dynasty. He was known for his skill in painting landscapes, birds and flowers, portraits, animals that portray nature. As a member of the royal court's painting academy. He developed his skills in painting that shows refined and detailed style. In 1811 he traveled to Nagasaki, Japan, as part of a Joseon diplomatic mission, where he meet Japanese artists and art patrons. Through this experience he gain and broadened his artistic knowledge and inspired various important works, including Peach Blossom and Bird Painting and Falcon Painting. Peach Blossom-and-Bird Painting(1811) is a silk painting measuring 57.1 × 167.5 cm, created during his stay in Nagasaki. It shows a branch of peach blossoms in full bloom with a small bird resting among the flowers. Using fine brushstrokes and soft pink colours, Yi carefully captured the beauty of spring. Most of the background is left empty, creating a calm and balanced composition that draws attention to the bird and flowering branch, a common feature of East Asian bird-and-flower paintings. The painting reflects the beautiful style of the Joseon court. while his paintings also shows the influence of Yi's artistic exchange with Japanese art. It also carries symbolic meaning such as peach blossoms represent spring, new beginnings, long life, and prosperity, while the bird symbolizes peace, harmony, and the energy of the life. All together, they create a peaceful scenery that celebrates and capture the nature and the cultural exchange between Korea and Japan.
This painting depicts a delicate bird-and-flower scene in the traditional East Asian style. A small bird appears in flight beside winding flowering branches, while red blossoms and dark foliage add touches of color. The extensive empty space creates a calm, contemplative atmosphere and emphasizes the bird’s movement. The composition contrasts motion and stillness: the bird represents fleeting life, while the plants suggest continuity and renewal. The subdued, aged colors and weathered surface evoke the passage of time. Overall, the painting can be interpreted as a meditation on nature, transience, and the quiet harmony between living things.