The Qianlong Emperor in Ceremonial Armour on Horseback
| Support Type: | Silk |
| Paint Type: | Ink |
| Current Location: | The Palace Museum, Beijing, China |
| Location History: | : Commissioned directly by the Qing imperial court in Beijing to celebrate imperial authority and military prowess. It has been preserved continuously within the Qing imperial collection inside the Forbidden City, which later became the Palace Museum in Beijing, China. |
The Qianlong Emperor in Ceremonial Armour on Horseback is a colossal portrait painting created in 1758. It was painted by an Italian Jesuit court artist, Giuseppe Castiglione, also known as Lang Shining. The artwork is more than three meters tall and depicts the young Qianlong Emperor, a future ruler of China, riding a horse while wearing glorious golden armor. The costume is adorned with Chinese-style dragons, and the shoulder plates are decorated. The horseman wears a helmet with a red tassel on top, and he skillfully holds the reins of a splendid white horse. The scenery behind the Manchu prince is rendered in lighter shades, giving the illusion of depth. The overall image represents the power of the Chinese ruler, his military might, and his divine role as the Son of Heaven. The painting is a masterpiece of the High Qing style, which was advanced by Giuseppe Castiglione. This exceptional artist was the first in China to introduce Western concepts of perspective, light, and shadow into the traditional Chinese silk painting. The artwork represents the fusion of Eastern and Western cultures as Lang Shining tried to adapt the skills of Italian Renaissance masters. Thus, the horse’s body structure is constructed using European artistic techniques. At the same time, the artist rendered the folds of silk armor in a way similar to Chinese painters. In addition, the chiaroscuro technique gives the image volume and makes the contours of the horse’s hooves and the general structure of its body clearly visible. These features were typical of Renaissance artists who painted their models in oil. However, Giuseppe Castiglione used lighter shades to create shadows, which was more characteristic of Chinese court painting. Overall, the painter managed to combine Western and Chinese methods and created a remarkable image of the Qianlong Emperor in ceremonial armor.
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