The illustration is of Akbarnama and depicts the victory of the imperial Mughal army, Led by Qutb ud- Din and Sharif Khan, over Sultan Adam of Gakkhar (now in north-east Pakistan), in the Pan jab in 1563. Abul Fazl who is the author of the Akbarnama, emphasises that no previous ruler of Hindustan had been able to subdue the Gakkhar's territory. Three significant artists have worked on this painting namely Tulsi, Bhawani and Sanwala.
The Akbarnama was commissioned by the emperor Akbar as the official chronicle of his reign and it was written by 1590 and 1596 and is thought to have been illustrated between 1592 and 1594 by atleast 49 different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir and later Shah Jahan. The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862.
It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy.
The painting presents the battle as a spectacle of Mughal imperial power. The crowded figures, vivid costumes, weapons, and fallen soldiers create a sense of chaos, but the composition remains carefully controlled. Sultan Adam’s defeat becomes a visual metaphor for territorial conquest and imperial consolidation. As part of the Akbarnama, the scene also reinforces Akbar’s political legitimacy by presenting military victory as evidence of his expanding authority.
