Storm on the Seine Valley

Georges Michel (1763-1843) was renowned for his landscape painting and was known to be a precursor of the Barbizon School, which arose amid the Romantic style of the 18th century. Storm on the Seine Valley (1825) is a prime example of Michel’s characteristic painting. He clearly pays close attention of meteorological phenomena, just like English painter John Constable (1776-1837). Michel’s melodramatic skies are his signature when it came to landscapes. He presents a stormy and emotional scene with strong contrasts of light and dark. Similar to many literary geniuses and artists, Michel uses weather as pathetic fallacy, reflecting human emotion to build tension and foreshadow danger. It takes over the narrative of this painting. The sky dominates the landscape and seems overwhelming to the viewer. The land appears to be secondary. It introduces the idea and/or encourages the existing opinion that humanity is insignificant compared to nature; it is beyond our control and out of our reach. Michel imposes a sublime experience for the viewer; illustrating how beauty can be combined with fear - a true depiction of the crossover between Romanticism and Realism. The light breaking through the brooding clouds creates tension and drama, whilst also proposing hope after the chaos, offering a balance to the danger presented before the viewer. With his expressive and bold brushstrokes, Michel has captured the general mood and atmosphere of the Seine Valley; he paints the feeling of a space rather than a specific location.