Mir Musavvir isn't a name most people recognize, even those with a casual interest in Islamic art but spend any time with his work and it's hard not to wonder why. You can trace a real shift in his work over time. From careful architectural rendering, tightly controlled detail to something more theatrical, with bigger gestures and more dramatic staging. Mir eventually migrated to South Asia and significantly contributed to changing the trajectory of Mughal Art later in his career.
While this folio from the Shahnameh of Shah Tahmasp depicts one of the more violent episodes in Persian epic literature it still maintains its composure as a piece of exquisitely controlled craftsmanship. The epic's central hero - Rustam, unmistakable in his tiger-skin garment has cornered the White Div inside a cave near the Caspian Sea. Rustam wrestles him down, and cuts out its liver, which he needed to cure King Kay Kavus of his blindness. Above the cave, other demons watch from the ledges. Below, in the foreground, Rustam's horse Rakhsh stands waiting, and near him sits Aulad, the guide who's been bound and led here against his will.
What strikes me most about this folio is how much beauty Mir Musavvir builds into the scene rather than around it. It's happening inside a spring landscape thick with blossoming trees, and the blood pools across the ground in bright, deliberate color, treated with the same care as everything else on the page.
The composition is both ferocious and lyrical at once. It's a large part of why this folio, and Mir Musavvir's work in general, keeps coming up whenever people talk about the high points of Persian miniature painting.
The following painting is presented in a very unique composition, in which the main subject can be found on a small dark circle that resembles a portal. In the focus of the painting a man in an armor can be seen killing a white mix between a human and an animal. It is really interesting the way the artist choose to portray this specific scene, which makes an interesting composition.
