Portrait Of Laxmi Bapusoo Sallunkhe (1920) is a defining example of artistic realism and academic integrity in early-20th century India. Created in oil on canvas by the Kolhapur court painter Abalal Rahiman, the artwork illustrates Laxmi Bapusoo Sallunkhe in a conventional nine-yard Nauvari saree, embellished with traditional gold jewellery and green glass bangles. Rahiman layered oil paint to create realistic skin tones, introduce light and add texture. The medium conveys the elegant nature of traditional Maharashtrian clothing.
The painting masterfully blends Indian society and culture with the Western perspective. Acting as a cultural link, the portrait expresses the dignity, social standing, resilience and quiet strength of Indian women in the late colonial period. It serves as an essential historical document of Kolhapur’s noble legacy and the development of contemporary Indian portrait art.
Created with the support of the forward-thinking Maratha leader Shahu Maharaj of Kolhapur, the artwork embodies a changing cultural landscape. The inspiration arises from this very intent to bring to life an identity of a woman who is proud to own it—and live it. Ultimately, Rahiman's brushwork honors Maratha womanhood which is of historical importance because of the values it stood for and the resilience it carried, in the face of subjugation.
Portrait Of Laxmi Bapusoo Sallunkhe by Abalal Rahiman presents a dignified portrait of a Maharashtrian woman in traditional dress. Laxmi Bapusoo Sallunkhe is shown wearing a nine-yard Nauvari saree, gold jewellery and green glass bangles, reflecting the clothing and customs of Maharashtrian society. Rahiman uses oil paint to carefully model her face, skin tones, clothing and ornaments, creating a realistic and composed appearance. Her upright posture and calm expression give the portrait a sense of dignity and individuality. The painting combines Western academic realism with Indian cultural identity, showing how artists in early twentieth-century India adapted European artistic techniques to local subjects. The work also reflects the cultural and artistic environment of Kolhapur during the period of Shahu Maharaj’s patronage.
