The painting given above is a self portrait by Muhammad Hasan Afshar Urmieh, a well known painter from Qajar era Iran. Born in Urmia (northern Iran) in a Qizilbash family of Azerbaijani descent, Hasan acquired his initial skills at Urmia and Tabriz (then a renowned centre of art in Iran) while working as a apprentice in workshops under regional masters, gaining mastery over traditional Persian miniature painting techniques, using ink and water colour on paper. In 1818, Hasan joined the royal atelier at Tehran as a junior artist, contributing his skills in creation of monumental artworks reflecting power, grandeur and a versatile persona of the monarch. This marked the beginning of his six decade long career, in which he served three consecutive Shahs (kings) of Iran. It was during these career days that Muhammad Hasan came in touch with Western prints and paintings which had made their way from Europe and Russia to the Qajar court on the roads of diplomatic ties. This triggered a gradual shift in his painting style from a highly ornate, stylized and flat traditional Persian forms to a more naturalistic portrayal, borrowing European elements of realistic shading, three dimensional effect and linear perspective, drawing inspiration from masters like Peter Paul and Rembrandt. This is reflected in this painting of himself where effectively applies European realism while keeping intact aspects of traditional Iranian art and culture. It was this versatility of Hasan, which made him draw positive attention from even art critics like Xavier Hommaire De Hell- French explorer and art critic, making him one of the few Iranian painters to have acquired admiration from him.
This is a self portrait and the person in the painting is sketching himself plus looking at the painter. This painting looks like a multiverse of gazes which look for artistic perfection. The expression of the painter is pristine
