Mound of Butter
| Support Type: | Canvas |
| Paint Type: | Oil Paint |
| Current Location: | National Gallery of Art, Washington D. C. |
| Location History: | (Galerie André Watteau).[1] (Galerie Jonas, Paris); purchased 23 October 1992 by NGA. [1] A Vollon painting titled Motte de beurre avec deux oeufs is mentioned as being with Galerie André Watteau; see Sophie Monneret, L'Impressionisme et son époque. Dictionnaire internationale illustré, 4 vols., Paris, 1978-1981: 3(1980): 59. |
The painting shows a large mound of rich yellow butter resting on a wooden table. A white cloth is loosely draped around its base, while two eggs lie nearby. A wooden butter paddle is inserted into the butter, suggesting recent handling and emphasizing the everyday nature of the subject. Vollon uses thick, textured brushstrokes called impasto to make the butter appear soft, creamy, and almost tangible. The warm yellow tones contrast with the dark green background which creates depth and realism. The thick layer of paint build dimension and density making the butter appear to be glistening with wetness. The painting reflects the Realist movement of the 19th century, which focused on ordinary objects. Vollon's extraordinary technical ability in using light and texture to transform a simple everyday item into an magnificent masterpiece. He was hailed as a second Chardin because of his ability to draw still life so skillfully. However Manet's opinion on fellow French realist Antoine Vollon was notoriously harsh but artistically consequential. This stinging critique made Vollon lean heavily into still life.
