It is held by the Cleveland Museum of Art, Cleveland Ohio, United States, under accession number 1985.192.
Location History:
James J. Freeman was the art dealer from whom the Cleveland Museum of Art purchased the painting. The museum used funds from the Leonard C. Hanna Jr. fund, its accession number is 1985.192
Monkeys by a stream was painted by Nagasawa Rosetsu around 1796 and executed in ink and colour on paper as hanging scroll. Nagasawa Rosetsu is associated with the Maruyama school, founded by Maruyama Okyo, whose approach to painting placed considerable emphasis on direct observation, naturalistic representation and the careful study of visible forms. Rosetsu developed a stye that was more experimental and often deliberately unconventional. His surviving works range from monumental paintings of dragons and tigers to delicate depictions of puppies, birds, monkeys and other animals. His paintings of animals do not rely exclusively on anatomical accuracy. Instead, he uses carefully selected details, the direction of a gaze, the tension of a limb, the curve of the body to suggest a living creature's temperament.
Rosetsu selects and arranges elements to create an image that feels alive without becoming crowded. He gives monkeys a psychological presence. One looks outward towards the surrounding landscape, while the smaller monkey appears to notice the viewer. Their gesture suggest curiosity and awareness, making the boundary between observing an animal and being observed by it unexpectedly uncertain. Monkeys have a long history in Japanese art, where they could appear in religious, narrative, humorous and naturalistic contexts. Their resemblance to human gestures made them particularly effective subjects for paintings that explored curiosity, attention and social behaviour.
"Hanging Scroll Painting 'Monkeys by a Stream'" is a distinctive piece of masterpiece painting in Japan during the 18th century, painted by Mori Sosen who was known to be the greatest animal painter of Edo period. This vertically oriented painting illustrates two Japanese macaques who sit on an elevated mossy rock formation above a swift stream running down the mountain. Sosen applies his distinctive brush stroke technique to depict the monkeys' dense fur coat, which consists of thousands of brush strokes resembling hair. One monkey looks around attentively while the other one looks through a rock. Swift water flow in the stone channel is portrayed by the ink wash technique used together with autumnal foliage that has reddish color to symbolize the season of the year.
