Image source: collections.vam.ac.uk
Mines exploding during the siege of Chittor
Artist:Sarwan
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | Victoria and Albert Museum (V&A), London, United Kingdom |
| Location History: | 1590-1595: The folio was produced for the imperial illustrated Akbarnama, probably in the Mughal court atelier. The illustrated volume records events from Akbar's reign. 18th century- The manuscript bears seals dated 1766 and 1794, identifying the Nawab of Rampur as an owner. 1858-1862: The second volume remained in India until it came to the attention of Major General Clarke, a senior British administrator in Awadh during this period. 1896- Following Clarke's death, his widow sold the manuscript to the Victoria and Albert Museum. It was initially misidentified by the museum as an illustrated Āʾīn-i Akbarī. 1905- The manuscript's true identity was recognised when historian Henry Beveridge examined it at the museum. Today- The folio remains in the V&A's collection under IS.2:67-1896 |
The painting presents war as more than a moment of military victory. The exploding mines, crowded soldiers, workers, and rocky landscape create a sense of chaos, danger, and uncertainty. The elevated viewpoint allows different events to unfold at once, making the viewer aware of the scale and intensity of the siege. The detailed landscape also makes the destruction feel immediate and physical. While the painting celebrates Mughal military power, it also quietly reveals the human cost of conquest. It suggests that behind every imperial victory are moments of fear, struggle, and destruction experienced by those caught within the conflict.
Information Compiled by
Pratham Thakkar
