Enjoying the Wilderness in an Autumn Grove
| Support Type: | Paper |
| Paint Type: | Ink |
| Current Location: | Metropolitan Museum of Art in New York |
| Location History: | Was created in 1339 by artist Ni-Zan for an acquaintance named Xiaoshan Xiaoshan later returned it to Ni-Zan later in 1354 for additional poetic inscription < it then stayed circling the family and the private collectors and family estates in China accumulating traditional collectors' seals over the dynasties in 20th century the painting was acquired by John M. Crawford Jr. a prominent New York - based collector upon John M. Crawford Jr. death in 1988 Crawford bequeathed his landmark collection of Chinese art to Metropolitan Museum of Art officially entering the museums permanent collection in 1989 under the accession number 1989.363.38. |
The Painting Entitled Enjoying the Wilderness in an Autumn Grove by Ni Zan is an example of a serene view of nature. In the painting, there is an open space filled with tall, thin trees, mountains in the distance, open water, and a small hut. I like the way the large open spaces have been used in the painting to create a sense of silence, distance, and solitude. The little amount of ink used in the scene makes it tranquil and almost meditative. The season depicted in the painting denotes that of temporality in nature, while the landscape depicts the artist’s preference for a life away from the worldly matters. The small human form looks unimportant against the natural scenery. In my opinion, the piece of art symbolizes the harmony between man and nature.
