Bodleian Library, University of Oxford, United Kingdom. It is part of an album bequested by Francis Douce in 1834.
Location History:
Created at the Mughal Imperial Court in Delhi, India.
This exquisite artwork by Chitarman, a celebrated painter of the Mughal court, presents an intimate scene of royal leisure and refined courtly culture. The composition is set within an elegant palace interior, where richly decorated carpets, patterned walls, arches and colourful blinds create a luxurious atmosphere. At the centre, a nobleman sits calmly on a raised platform, smoking a hookah, while attendants and companions gather around him. Some figures appear to be engaged in conversation or respectfully attending to the central personality.
Chitarman’s characteristic attention to architectural detail and courtly elegance is clearly visible. The symmetrical arrangement of the pillars divides the composition beautifully, while the delicate floral patterns and ornamental border enhance its decorative richness. The restrained use of colour—particularly white garments contrasted with red pillars, green and orange screens, and a vibrant floral carpet—creates a sense of harmony.
The artwork is not merely a portrait of daily life; it reflects the sophistication, hierarchy and leisurely refinement of Mughal aristocratic society. Through precise line work, balanced composition and minute decorative details, Chitarman transforms an ordinary moment of relaxation into a visually rich representation of royal culture and artistic elegance.
Muhammad Shah, a Mughal Empreror is shown seated in the palace smoking pot or 'huqqa' as he is surrounded by four attendants. The paintings showcases a grandeur lifestyle of the Mughal rulers, spending time in luxury and pleasantries. The painting has beautifully captured the accurate garment and dressing along with facial features that were distinct in the Mughal family.
