Christ Served By The Angels In The Desert by Francisco Pacheco is housed at the Musée Goya in Castres, France.
Location History:
Created in Seville, Spain. It was previously part of the collection at the Monasterio de San Clemente in Seville before eventually being acquired by the city of Castres, where it has remained since 1993.
Francisco Pacheco (1564-1644), Spanish painter, art theorist, and teacher, painted Christ Served by Angels in the Desert, his greatest masterpiece. The painting illustrates the time immediately after Christ's forty days in the wilderness when he was tempted by the devil as recorded in the Gospels of Matthew and Mark.
The large scene is set around a long table, where Jesus is sitting quietly contemplating. He's sitting here alone since all these trials and tribulations have come upon him, and he has a party of angels ministering to him and robes and a heap of heaven's food around him. Pacheco's treatment of heaven is not abstract or ethereal, but very realistic and descriptive, in a highly structured way.
The angels are represented in very domestic and human activities. Others are preparing food, including fish, representing Christ, and salt and spices (pepper), representing everyday food items. On the left side, there is a group of celestial entities, each holding a musical instrument, dancing among the sun and the moon, creating a celestial harmony in the midst of silence.
Furthermore, the angels on the left are depicted as playing music, each with a musical instrument, which seems to be a stringed classical instrument, indicating a harmonious interaction in the still and silent desert setting. All elements in the scene are a symbol of the sacral counter-reformation, symbolic in theological meaning, and in reference to Christ's double nature, his fleshly weakness (in hunger), and his power over the host of angels.
In addition, the background is a soft, hazy, distant view of a black figure, possibly a representation of the figure of John the Baptist, preaching to a crowd of indistinct figures, with a setting of an introduction to the main feast.
This artwork was a work of over a year in making. It is a very descriptive preparatory drawing, dated to October 7, 1615, to substantiate the time that Pacheco worked on it. A grand architectural form, sumptuous fabric, and painstakingly organized still life on the table, all the reasons Pacheco was appointed the official censor and inspector of religious paintings for the Spanish Inquisition, a perfectly orthodox, beautifully organized masterpiece designed to instruct, inspire, and humble the faithful. Christ Served by Angels in the Desert receives the same, bright, intellectual, anatomical balance, lighting, and forms of late mannerism, but now firmly in the realm of the tactile realism of the Spanish Baroque period.
This piece is a remarkable depiction of the angel's hospitality towards Christ. After returning from his trials and tribulations Christ is seen to be seated at the table, while a plethora of angels flock around him tending to all his needs. What is really interesting about this piece is the depiction of a mythological story in a very mundane and human-like manner. The artist has used an overall bright palette to highlight each individual.
