Image source: collections.vam.ac.uk
Babur meeting the Khurasan Mirzas
Artist:Ismail Kashmiri
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | Victoria and Albert Museum (V&A) in London |
| Location History: | S.A.A Rizvi, in Religious and Intellectual History of the Muslims in Akbar's Reign (Delhi, 1975, 220-221), notes: The Babur Nama, in Chaghta'i Turkish, a mine of information relating to Central Asia, Kabul and India, was of an absorbing interest for the Indian Timurids. The portions relating to the Indian period of Babur's autobiography had already been translated by his sadr, Zainu'd Din Khwafi, into Persian. In 994/1584 Mirza Payandah Hasan Ghaznavi commenced its translation at the insistence of Bihruz Khan (who was afterwards given the title of Naurang Khan by Akbar and died as a governor of Junahgarh in 1002/1593-94), but he could not translate the account beyond the first sixth and a part of the seventh year. Subsequently one Muhammad Quli Mughal HIsari continued the work and brought it down to 935/1528-29. Akbar ordered Mirza 'Abdu'r Rahim Khan-i Khanan to translate it again and he completed the work in 998/1589. He presented his translation to the Emperor as he was returning from Kabul on 24 November 1589. The Khan-i Khanan excelled all the previous translators. Purchased from Messrs luzac & Co., 46 Great Russell Street. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. |
The narrative of the watercolor painting is very interesting, due to the composition of the figures involved, as the most important subjects, high-society men can be found in the center if the painting, sitting on a detailed rug with a floral pattern and unusual colors, which gives the spectator an idea of their social stand. On the lower side of the painting, a group of armored men can be seen, hiding from both the main figures and from the viewer, purposely creating a narrative and questions of their role in the painting.
Information Compiled by
Vidhi Shah
