Ardashir Orders the Execution of Ardavan
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | Christie\'s London |
| Location History: | Agra, Mughal India |
This artwork depicts an episode from Firdawsi's Shahnama (Book of Kings), a prominent piece of literature in Persia, with gold sprinkled on the paper demonstrating the artistic capabilities found within the Mughal court. Text is displayed in black Nasta'līq script arranged vertically above and below the image and includes the use of gold in both floral and animal forms around the edges of the folio. The decorative border appears in the Farhang-i Jahangiri, illustrating how nature, craftsmanship, and refinement were important values during their reign over India. The artist was also well known for his skilful detailing. This is evidenced by the floral embellishments used to decorate imperial manuscripts. The painting illustrates a dramatic episode from the Shahnama (Book of Kings) by the Persian poet Firdawsi, one of the greatest epics of Persian literature. The scene represents the defeat of the Parthian ruler Ardavan by Ardashir, the founder of the Sasanian Empire. The characters are richly clad in garments decorated with many bright colours and details on their weaponry, all suggestive of a royal presence. In addition, the illuminated borders of the combat scene provide an equally impressive focal point. The floral motifs found throughout Kamal's borders are extremely intricate and represent an incredibly balanced quality. Flowing vines adorned with plentiful flowers and flowing vines decorated with leaves and animals can be found consistently adorning the edges of the golden margins. Therefore, while the illuminated border frames the combat scene, it sets up an atmosphere of elegance and harmony that tempers the overall violence of the narrative. In addition, they exemplify the Mughal's affinity for the beauty of nature and botanical forms, which was particularly emphasised throughout Jahangir's reign. The textures, colours, and ornamentation of the page are such that the manuscript page becomes an object of luxury and artistic reverence. Overall, the painting successfully combines Persian storytelling traditions with Mughal elegance.
