A scene from the story of Madhavania and Kamakandala
Image source: collections.vam.ac.uk

A scene from the story of Madhavania and Kamakandala

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Support Type: Paper
Paint Type: Watercolor
Current Location: V&A East Museum South Kensington
Location History:Unknown

The painting depicts a scene from the story of Madhavania and Kamakandala, a miniature artwork infused with Rajput and Mughal regional miniature traditions. This painting is a part of a series interpreting the tale of love and romance between a musician, Madhava and his beloved Kandala, the court dancer, followed by brutal separation. This miniature work has been translated and illustrated by Pahari and Rajasthani artists as well. Here, the composition is arranged vertically, with two separate scenes illustrated on a terrace top, separated by a middle division in a theatrical setup. Now, talking about the scene in detail, the Madhavania is rendered with the bhava of vyabhichari in the left forefront, in an almost fainting situation, reflecting physical surrender in moha of kamkandala. He is shown surrounded by five females, and his clothing is quite simple, reflecting his status. Also in the forefront, one could see the vina (musical instrument) as well. While Kamkandala is shown seated in the centre in the upper portion under the golden canopy, the ornate pavilion in the painting, where she is also surrounded by her sakhis. Further, the female in green attire, who is a Sakhi positioned in the middle, is acting as a duti (a messenger) who connects the two scenes together. Hence, this painting is a classic example of shringara rasa, where the central emotion is manifested in rati (love). And iconographically, Madhava is rendered with his limp contrasting with the rigid vertical pillars of the palace. And women are typically dressed in translucent ghagra-choli sets, covered by fine, diaphanous odhnis (veils). Further, the detailed rendering of pearls, emeralds, and gold ornaments is finely done by the artist. Ultimately, the painting acts as a symbol of longing; the scene illustrated speaks to the viewer about the transformative power of beauty. Therefore, the true beauty has the power to bypass the mind and strike the soul by turning the simple courtly encounter into a spiritual experience, as a painting.

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Information Compiled by Indira Tiwari
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