A prince riding in a landscape with an army in the distance
| Support Type: | Paper |
| Paint Type: | Gouache |
| Current Location: | Private Collection (documented via past auction record) |
Created around 1750 in Rajasthan, Jaipur (with stylistic roots tracing back to master painters like Bhavanidas circa 1725), A Prince Riding in a Landscape with an Army in the Distance is a remarkable exemplar of these later Mughal and Rajput painting traditions. The dimensions of the artwork are approximately 22.2 by 29.2 cm. It is accomplished in gouache and gold highlights on paper. The artwork is an illustration of a momentous transition from imperial Mughal techniques to the bright local idioms of the Rajput courts. The structure of the composition is distinctly divided into foreground narration and background depth. A young nobleman, depicted in the foreground, is considered as a royal figure like Maharaja Ishvari Singh of Jaipur or Prince Sahas Mal of Kishangarh. He is mounted on an elegantly ornamented grey stallion with a falcon on his right hand, which signifies the royal pastime of falconry followed by Rajput royals. The middle ground is characterized by a calm scenery dominated by a peaceful lake and a delightful pavilion, similarly to the Jal Mahal at Man Sagar Lake located between Amer and Jaipur. In the distance is a vast army, which consists of infantry, cavalry, and elephants bearing unique striped standards called the pacharanga (five-colored) standards that are associated with the rulers of Amer and Jaipur. What is interesting, there are still some European figures far away who are wearing trousers and black hats. The artwork represents the merger of the accuracy of the imperial Mughal workshop and the expressiveness of Rajput styles. Bhavanidas and his followers were the main figures in this process, and they transferred developed painting skills and dexterous facial painting developed in Delhi to the regional centers, like Kishangarh and Jaipur. The contrast between a cozy royal portrait and a general military view illustrates the dual nature of Rajput rulers as cultured men and military leaders in the challenging era of the 18th century India.
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