The Weaver is an oil painting in Cubist style by Natalia Goncharova. She believed that Cubism began in the East from ancient Scythian sculpture. Cubo-Futurism included the visual depiction of movement and this is represented in the movement facilitated by all the shapes in the painting creating the moving parts of the mechanical loom and within it the bio-mechanical movement of the woman.
In this piece, she blends the mechanical and biomechanical to show the effect of industrialization on the working class. The Loom is a rigid imposing figure, and the weaver woman has become a part of it. The woman is hard to spot amidst the movement of the strokes, however, this is a deliberate move made by the artist in order to show how she has become just another gear in the overall system.
In typical Cubo-Futurism style, the painting depicts movement through bold lines and brushtrokes creating the illusion of a figure among the various shapes. There are multiple 3D and 2d shapes as well as patterns to create an imposing loom and the woman hunched within the image.The illumination from the light upon the weaver woman at work at the loom, contrasted by the somber cool palette emphasizes her confinement within the loom further.
One of the most influential figures of the Russian avant -garde, Natalia Goncharova initially trained as a sculptor. later turning to painting, she developed a highly original visual language by combining Russian folk art, Orthodox icon painting, lubok prints, and peasant traditions with modern European movements such as Cubism and Futurism. In The Weaver, she uses the visual language of Cubo-Futurism to fuse the figure of the woman with the rigid structure of the loom, presenting industrialization as a force that reduces the worker to an extension of the machine.
