This painting created by Jamshed, a painter in the court of the Mughal emperor Akbar is a part of the Razmnama, the Persian translation of the Sanskrit epic Mahabharata commissioned by Akbar in the 1580s. The Razmnama was not just a translation but also included illustrated manuscript created by several painters in the imperial workshop. This painting depicts an event from Hindu mythology. Daksha’s daughter Sati was married to Lord Shiva, much to his dislike. Daksha didn’t invite Shiva to a religious ceremony he had organised. When he did arrive, Daksha continued to insult him. Angered by his actions, Sati jumped into the sacrificial fire. Shiva and his attendants thus violently disrupted the ceremony, attacking the guests, and eventually beheaded Daksha. The event depicted in this painting shows the same violent disruption. Several people are shown storming into the scene with their swords raised, while other participants of the ritual flee in panic. Ritual objects, vessels, baskets have been overturned, symbolizing the collapse of order. A fire is shown in the centre and an attendant is seen attempting to extinguish the flames. People storming in the scene are dressed in bright colours consisting of yellow, orange and blue while those fleeing the scene are dressed in muted pink, green and white hues. The focus of the painting is the moment in which the sacred ceremony turns violent. This destruction symbolises that an act of religious sacrifice performed without proper reverence for Shiva cannot succeed. The painting also illustrates the synthesis of cultural traditions. An episode from Hindu mythology is translated into Persian for a Muslim court. Overall, this artwork can be perceived as an illustration of a sacred epic ands as statement about Akbar's policy of religious plurality of incorporating diverse religious and cultural traditions into the Mughal court.

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