Palatine Gallery, Pitti Palace, Florence, Italy — Room of Ulyssees
St John the Evangelist in Patmos is a small yet very intricate painting that features Saint John the Evangelist during his banishment to the Greek island of Patmos, where the Book of Revelation tells us that the Saint had his vision from God. John can be seen in the foreground of the painting as he is bending over his book while staring at the spectacular vision in the sky above him. This vision is that of the woman who is being bathed in the light of God while standing on the crescent moon, together with the terrifying seven-headed dragon mentioned in the Book of the Apocalypse.
Dolci is especially meticulous about minute details such as John's red robe, John's beard and hair, the book, the eagle, and the dragon. The facial expression of John displays his amazement and intense concentration in witnessing the miraculous happening. The gesture of John by stretching out his hand is especially significant because it focuses the attention of the viewer to the miraculous vision.
The painting is a perfect example of the accuracy and devotion of Dolci. The painting was done on copper in order to provide Dolci with an opportunity to draw minute details with extreme smoothness. In addition, the gilded wooden frame decorated with dragon heads also adds to the connection between the material aspect of the painting and its theme. The Uffizi Gallery classifies the painting as a probable preparatory study for the other paintings of this theme that are now missing.
This artwork belonged to a series of ten paintings painting belonging to Grand Prince Ferdinando de’ Medici. Depicted here is an illustrated scene from a segment in the book of Apocalypse wherein the Evangelist who was exiled on island of Patmos, saw a vision of the mulier amicta solis, being threatened by a giant seven-headed dragon; symbolic of the apocalypse. He thus looks on with a terrified expression. This artwork was made on copper and enframed within a 17th-century gilded wooden frame.
