St George and the Dragon
| Support Type: | Wood Panel |
| Paint Type: | Tempera |
| Current Location: | National Gallery, London |
| Location History: | First recorded in the collection of Count Karol Lanckoroński (1848–1933) in Vienna in 1898. In 1939 it was stolen by the Nazis from the Lanckoroński house in Jacquingasse, Vienna, and kept in saltmines in Alt Aussee or in the Immendorf Castle (destined for the Hitler Museum in Linz); subsequently recovered by the American army and placed in the Collecting Point in Munich; for some time housed in Hohenems Castle, and kept in a bank in Zurich between 1946 and 1959. Purchased through Mr Farago from Count Lanckoroński by special grant, with contributions from the Phillott and Temple-West Funds, 1959. |
Paolo Uccello’s Saint George and the Dragon (1470) is a stunning picture perfectly combining the elegance of the International Gothic style and the precision of the Early Renaissance. The painting depicts the most notable moment of the legend of Saint George. The Saint is portrayed on a white horse, piercing the huge dragon’s mouth with his spear. The princess is also present, holding the leash attached to the beast’s neck, signifying that she tamed the beast. This picture is an allegory of good triumphing over evil, illustrated by the successful fight against the fearsome dragon. Uccello used strong diagonal lines formed by the dragon, lance, and horse to give the composition energy and vigor. The image also has a transcendent feel to it, as the Upper Zone demonstrates God the Father, radiating light on the fortress and the city. It suggests that the victory over evil forces such as darkness and non-belief was achieved with the help of the Supreme Being.
