This is an example of miniature painting from the later years of the Mughal Empire. It was made in Farrukhabad and reflects the artistic development of the late Mughal period as the artists shifted from a more official approach to depicting a more intimate view of life in the court. The style of this painting shows long, elegant lines used on the clothing of the women. The clothing style of this period was flowing angarkhas and sheer veils, with flowing styles of clothing worn by aristocratic women. The combination of the landscape, fountain, birds, flowers, etc., in the illustration creates a peaceful, luxurious atmosphere that was important to the Mughal court society and its culture. The fountain is a representation of tranquillity, and the group of princesses exhibit both beautiful and regal expressions. The white building greatly exemplifies serenity and sophistication. The green background gives an increased perspective or visual depth and adds much more freshness to this piece. The faces of all of the women are thin and oval-shaped with gentle expressions. The amount of detail displayed on the clothing of the women and on the surrounding borders is emphasized by the use of gold dewdrop decorations, giving the pieces a level of opulence. The distance of the hills, birds, rivers, and trees painted have all been done using softer colours and traditional impressionistic styles, resulting in a hazy, dream-like quality that this art displays. Therefore, the artwork signifies visual beauty as well as Mughal traditions from the region of Farrukhabad.
The elongated, cypress-tree-like figures of the women are heavily influenced by Persian poetry. The accompanying animal pairs (such as the swans) act as romantic metaphors for longing and impending union. Several figures are embracing in the lower and right-hand clusters, reflecting traditional themes of love and longing
