Piyali by Rabindranath Tagore (dated 1940) is a dramatic work of art painted with pen and ink on paper. This work belongs to the later stage of his career as a painter.
This piece of art shows the distinctively modernistic and expressionist manner of Tagore. Instead of creating the realistically looking portrait of a person, the artist makes use of dense restless lines and creates an expressive effect. The woman depicted in the portrait has black long hair which merges with the background, and the warm ochre, orange and brown colours of her face stand out against it. Large and quiet eyes of the woman along with the sad look give this painting a mysterious character. The face was used by the artist as an expression of the inner psychological world of the person.
From the historical point of view, Piyali is a painting which was done in India during the late colonial period, a time when Indian artists started rejecting British academic realism and strict revivalism. Tagore who began painting only in his sixties, created a highly original style inspired by European Expressionism, Japanese art and primitive or folk art.
In this way, Piyali is a work of art which reflects Tagore's contribution to modern Indian art.
Rabindranath Tagore's Piyali is a delicate pen-and-ink portrait made in 1940. Piyali encapsulates the artist's typical spirit during the later period of his work. This picture conveys the head and the face of a female subject using not much complex lines but expressive ones. Tagore does not intend to create a realistic portrait but rather a representation of the subject’s emotional and psychological traits. Its almost complete absence of detail as well as simplicity gives this face a quality of introspection and mystery. Throughout his later works, Tagore rejected traditional academic presentation and used spontaneous lines and unusual shapes for the representation of mood and inner states. The use of a monochromatic medium helps to highlight the power of expression of the artwork which directs the audience's attention toward the facial features and expression instead of the colors and detailed background. Hence, Piyali shows Tagore's fascination with individual expression and emotions that make his work unique and experimental.
