Patamanjari Ragini
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | Los Angeles County Museum of Art (LACMA) |
| Location History: | Created in Basohli, Jammu & Kashmir, India ; At an unknown point in the 20th century, the folio entered private hands and was acquired by art collector Paul F. Walter; Paul F. Walter gifted the painting to the Los Angeles County Museum of Art (LACMA) in 1986 (Accession number: M.86.345.7), where it remains housed in the South and Southeast Asian Art collection |
In the composition Patamanjari Ragini, the artist Ranjha creates a highly stylistic scene by presenting an elaborate natural and architectural setting, following his father's lyrical naturalism. The painting shows Patamanjari Ragini, who is the fourth wife of Bhairava Raga in the predominant ragamala classification system. Sitting dejectedly with her hand supporting her head, Patamanjari Ragini is shown as a courty woman distraught by the absence of her lover. She is being consoled by a confidante, who is playing a musical instrument called tambura. One of the distinct features is the use of rich shades of reds, greens, yellows, blues, bringing about an earthly vibrancy in the entire composition. Such use of colours go beyond showing an appearance of objects, to awaken the emotional mood of the Ragini. the artist uses simplified forms, decorative patterns, and strong outlines to create a poetic atmosphere. Equally crucial is the landscape with trees, plants, hills and architectural elements arranged decoratively. Nature plays a participaroty role in that to communicate to the viewers the emotive melancholy. The particular use of simplified forms, fine details, strong outlines and ornamental patterns give effect to an intimate feeling and sense of elegance. Ranjha sets in a mood through a musical mode and binds together music, emotions, poetry and visual art in the Indian miniature painting tradition.
