On the Waves at Kakuda on the way to Sado
| Support Type: | Paper |
| Paint Type: | Ink |
| Current Location: | The National Museum of Asian Art, Arthur M. Sackler Collection, accession number S2004.3.162. |
| Location History: | The work belonged to Anne van Biema of New York, who was its previous owner. in 2004, it entered the National Museum of Asian Art as a gift from Anna van Biema. Now it is in Arthur M. Sackler Collection, accession number S2004.3.162. |
I interpret Utagawa Kuniyoshi’s On the Waves at Kakuda on the Way to Sado as a representation of faith, courage, and the power of spiritual belief in the face of danger. The enormous waves surrounding the small boat emphasize how vulnerable human beings can be when confronted with the uncontrollable forces of nature. Nichiren standing firmly in the boat creates a powerful contrast with the turbulent sea. While the waves appear chaotic and threatening, his posture suggests determination and spiritual strength. His recitation of the Lotus Sutra represents his unwavering faith and belief in the power of Buddhism to overcome suffering and adversity. The inscription written across the waves is particularly meaningful because it connects religious devotion directly with the natural environment. Rather than appearing as a separate element, the sacred words become part of the storm itself, emphasizing the relationship between faith and the forces of nature. Kuniyoshi’s dramatic composition and exaggerated waves intensify the sense of danger while making Nichiren’s spiritual presence more powerful. Overall, I think the artwork represents the idea that faith can provide strength and hope during difficult circumstances. It reminds us that although we cannot always control the challenges we face, courage and belief can help us confront uncertainty without losing our determination.
