Mughal Troops Chase the Armies of Da’ud
Image source: asia-archive.si.edu

Mughal Troops Chase the Armies of Da’ud

Support Type: Paper
Paint Type: Mixed Media
Current Location: Freer Gallery of Art, Smithsonian’s National Museum of Asian Art, Washington, D.C., United States of America.
Location History:The painting is part of the collection of the Freer Gallery of Art and is catalogued under accession number F1954.30. The Smithsonian records its acquisition credit as a purchase made through the Charles Lang Freer Endowment. The museum’s published record states that provenance research is underway, so its earlier ownership history should not be assumed without further evidence.

Mughal Troops Chase the Armies of Da’ud (c. 1590–1595) from the Akbarnama stands as a defining triumph of Akbar’s imperial atelier, transforming military chronicle into a masterclass of kinetic drama. Designed by the master Lal and colored by Premjiv Gujarati, the folio rejects the tranquil planar stillness of classical Persian painting in favor of a surging, diagonal momentum that captures the sheer terror of open combat. Visual energy sweeps relentlessly across the page: rearing horses, churning waters, and tangled bodies create an immediate sense of forward drive as the imperial forces scatter the Afghan troops of Da’ud Khan Karrani. What elevates the work beyond standard court flattery is its psychological realism; individual faces register visceral strain, panic, and determination rather than formulaic stoicism. Depth is built through stacked vertical tiers—intense hand-to-hand skirmishes anchoring the foreground, the tactical rout unfolding across the rugged midground riverbank, and retreating figures dissolving into the rolling horizon. At the same time, this violent choreography is balanced by astonishing decorative refinement, from the luminous vermilions and lapis lazuli pigments to the intricate rendering of chain mail, gilded saddles, and textile folds. Ultimately, the painting functions as brilliant theological propaganda: under the philosophical framing of Abu’l-Fazl, Akbar’s army operates less like a conventional raiding force and more like an elemental law of nature, visually asserting that imperial order will inevitably vanquish regional rebellion and restore cosmic balance to the realm.

Share By: Asmita Mondal
Information Compiled by HARIHARAN V
Refresh
My Conversations
×

Login required to view or send messages

If you'd like to contact the admin, you can call +91 88998 41647 or email admin@oaklores.com.
Alternatively, log in to start a chat with the admin instantly

Login to Proceed

Bring Your Collection to Life

You can now order beautiful printed copies of your artworks and keep your collection beyond the screen.

Visit Oak Lores Shop