Dominico Veneziano (1410 - 1461 C.E.) belonged to the early Renaissance period of Italy. He was a crucial figure of the 15th century Florentine school of painting. Very little information is known about his early life and the first documented reference of him is understood through a letter by Venetiano to the artist Piero de’Micci in 1483. This work of Monk holding a Cross is attributed to Saint Francis or Saint Dominic and has been compared with the figure of Saint Francis in the Uffizi panel by several authors. Others have attributed the work to Saint Philip Benizzi, patron saint of Florence, the city where Veneziano was born and where he served as a member of the Servite order. It is claimed as Philip Benezzi as the saint is usually depicted with a crucifix, wearing a papal tiara and dressed in the habit of his order. However, after many claims by the authors, the identity of the monk still remains uncertain. The painting presents a depth of emotional intensity and force by the rendition of the hands, face and even the folds of the monastic habit by the artist. The form has been given a three-dimensional appearance through his tempera technique. The focus is solely restrained towards the monk which allows the psychological and physical presence of the figure to dominate the panel.
"Monk holding a Cross" carries an emotional depth presented in the facial and bodily expressions of the monk. The way the cross is held with the monk gazing into the infinite is a point to be noted. The monk's figure dominates the painting, both physically and psychologically. It offers a profound sense of something limitless and boundless, as the monk looks upwards, perhaps to the sky. His facial expression is possibly indicating awe and reverence towards something magnificent, beyond human comprehension, very often referred to as a higher power. The painting leaves the viewers wondering what it is that monk appears to be so intensely looking at. The speciality of this painting is reflected in Dominico Veneziano's skill of creating a picture of a monk with an all-consuming gaze, the depth of which brings a sense of sensibility to the artwork. To immerse into this artwork is to feel a deep sense of emotion; unclear as to what that emotion might be but its depth takes us places and keeps us wondering about the mysteries of the world, just as what the monk is lost looking at remains a mystery to all of us.