Dancing in the Flame (Embu)
| Support Type: | Silk |
| Paint Type: | Mineral Pigment |
| Current Location: | Yamatane Museum of Art |
| Location History: | The painting has been part of the Yamatane Museum of Art’s collection since 1976, when the museum acquired a large group of Hayami Gyoshū’s works from the former Ataka & Co. collection. It is currently preserved and exhibited at the Yamatane Museum of Art in Tokyo, Japan, where it is designated as an Important Cultural Property. |
Embu or as it is famously known as,Dancing in the Flame, was created in year 1925, during Shōwa era by Hayami Gyoshu. This particular painting belongs to Nihonga (literally meaning – Japanese painting) style of art. Dancing in the Flame is considered as well as titled an important cultural property which is housed at the Yamatane Museum of Art for several decades. This celebrated piece is famous for what it represents. Hayami Gyoshu's work signifies the classical Japanese technique like use of mineral pigmentation, Sumi ink, gold leaf and more during a time when West was successful in influencing their style of art i.e, realism in Japan. Hayami Gyoshu drew inspiration Chinese style of art while simultaneously evolving and creating artworks. Hayami Gyoshu used gold (crushed) for his artwork which was a traditional feature of paintings in Japan which has continued for more than 1000 years. Hayami Gyoshu before creating this painting observed the flames in a bonfire for 3 months to understand and later portrayed what he observed. Dancing in the Flame was made by using Kindei, which was gold powder mixed or dissolved in water and glue. Hayami Gyoshu created flames with this unique and exquisite colouring combination. Dancing in the Flame is just just not simply an artwork but a story of how shiny objects attract many people however, everything that appears beautiful is not up for grabs or possession of any kind but sometimes just to observe and appreciate from afar. This further solidifies the idea and the approach one should have towards art, culture or Nations as a matter of fact that sometimes humans should let things be and rather than possessing one should observe, learn, and be on their marry way.
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