Court Ladies Playing with Fireworks
Image source: asia-archive.si.edu

Court Ladies Playing with Fireworks

Support Type: Paper
Paint Type: Watercolor
Current Location: reer Gallery of Art Collection, Smithsonian\'s National Museum of Asian Art, 1050 Independence Avenue SW, Washington, DC 20013, USA.
Location History:r. Ananda K. Coomaraswamy, Boston, until 1924. Purchased by the Freer Gallery of Art in 1924 and entered its collection in Washington, D.C. Exhibited in several Smithsonian exhibitions from 1930–2016. Currently in the Freer Gallery of Art Collection and not on view.

Court Ladies Playing with Fireworks is a Mughal miniature painting attributed to Muhammad Afzal and dated to around 1740, during the reign of Mughal emperor Muhammad Shah. The scene takes place at night and presents a small group of elegantly dressed women enjoying fireworks in an open terrace-like setting. A child is also shown among the figures. The dark background creates a strong contrast with the colourful clothing, ornaments and bright sparks of the fireworks. The women are arranged carefully within the narrow vertical format of the painting. Their gestures and body positions create a sense of interaction, as though they are watching, discussing and participating in the evening celebration. One of the most noticeable elements is the firework producing a shower of sparks. The artist has used this small but bright event to bring movement and excitement into an otherwise calm composition. The figures wear richly decorated garments and appear in different poses, allowing the viewer to observe details of their clothing, jewellery and facial expressions. The painting reflects the refined character of Mughal court painting during the eighteenth century. Muhammad Afzal was active during this period, and the work is associated with the Mughal school. The use of colour and gold on paper gives the miniature a delicate and highly finished appearance. Fine details are important throughout the composition, particularly in the costumes, ornaments, faces and patterns. The subject also provides an interesting glimpse into courtly entertainment and the popularity of fireworks in India. Fireworks had already become part of festive and royal celebrations before this painting was made. The Smithsonian records the work as originating from Delhi and identifies it as part of the Freer Gallery of Art Collection. It was acquired by the Freer Gallery in 1924 from Dr. Ananda K. Coomaraswamy and is currently not on view.

Sources:

Location source: si.edu
Location History: asia.si.edu
Information Compiled by Vinay Uniyal
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