Arjuna Quenching the Fire of Agni
| Support Type: | Paper |
| Paint Type: | Watercolor |
| Current Location: | British Library, London |
What gets me about this painting is how crowded everything is. Horses, chariots, weapons, people in the middle of a fight the land itself squeezed in around them. It's not a neat posed scene. It feels like you have caught the middle of something right as Arjuna is dealing with the fire Agni set off. Then there's the Persian text running along the bottom plus the whole Mughal painting style and thats honestly the part that stays with me more than the battle itself. You have a story out of the Sanskrit Mahabharata being painted in a Mughal workshop, written up in Persian. That's three different traditions meeting on one page in Akbars court of all places. So when I look at this I'm not just seeing a fight scene. I'm seeing what happens when a story moves into a place. The plot stays the same, more or less but everything around it (the language, the brushwork, the color even how the space is arranged) gets changed by a completely different artistic world. It's of a cool window, into how much got shared and mixed in that time.
