Antea
Image source: commons.wikimedia.org

Antea

Support Type: Canvas
Paint Type: Oil Paint
Current Location: Museo di Capodimonte

When I look at Parmigianino’s portrait of the young woman known as Antea, I feel both drawn in and slightly unsettled. Her identity is still unknown, and the romantic story that she was the artist’s lover seems unlikely to me. Painted around 1535 in Parma, at the same time as the Madonna with the Long Neck, she may even have been a studio model. What strikes me most is the quiet display of wealth and status. The yellow atlas-silk dress, the patterned bodice, the white apron, and especially the pine-marten fur stole with its chained head all speak of refinement and privilege. Her unusually broad shoulder and delicate jewellery feel typically Mannerist—beautiful yet slightly unnatural. To me the painting represents more than a likeness. It captures an ideal of elegance and mystery. Her calm, direct gaze makes me wonder who she really was, and that unanswered question is what stays with me longest.

Share By: Vinay Uniyal
Information Compiled by Jyotirmayee Ghosh
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